Middle-class Parisian suburbs: Blanche and Lea, office worker and student, meet and become friends. Lea is going out with Fabien, but is thinking of leaving him. Blanche falls for Lea’s handsome and witty friend Alexandre, but is tongue-tied whenever she meets him. Lea goes on holiday and Blanche, still smitten with the dashing Alexandre, begins to get to get know Fabien. A classic Rohmer moral tale. —IMDb
The most subtle and traditional of the many luminaries launched to prominence as a member of the French New Wave, Eric Rohmer is also among the movement’s most consistent and enduring talents. Basing his work upon antecedents in literature as much as those in the cinema, Rohmer made his name crafting talky, feather-light romantic comedies and chamber dramas distinguished by economical camerawork, a warmly ironic tone, an affection for youth, and a fascination with place and time. His intensely personal private life — according to legend, not even his own mother knew he was an internationally acclaimed, albeit pseudonymously named, filmmaker — has stood in direct contrast to the emotional openness of his movies, which, in intimate and illuminating detail, explore the limitless entanglements, disappointments, and possibilities facing contemporary relationships.
Born Jean-Marie Maurice Scherer on December 1, 1920, in Nancy, France, Rohmer later relocated to Paris, where he worked variously… read more