It’s 1968. A tavern in İstanbul. The magnificent beauty Sabiha is singing on the stage. Halil can’t keep his eyes off of her. Halil is a married, ordinary guy. He does not look for anything, but what’s done is done. The tale of one of the most sentimental melodramas of Turkish cinema is so sorrowful. Adapted for the screen by Safa Önal from a short story by Sait Faik, what a heartbreak this film tells…
Ömer Lütfi Akad was born in Istanbul in 1916. He finished French Saint Jeanne d’ Arc School and Galatasaray High School and graduated from Istanbul College of Economics and Business. After working at Osmanlı Bank for a while, he served as an accountant in the Lale Film. He began writing plays for theater and films. He then worked as a financial consultant and film director in the Sema Film. In 1947 he started directing film with Seyfi Havaeri’s “Damga”. In 1949, Akad debuted as a film director with “Vurun Kahpeye” (Kill the Whore) an adaptation of Halide Edip Adıvar′s book. Akad attempted different kinds of themes: fiction (Tahir ile Zühre, 1951), detective story (Kanun Namına, 1952), adventure (İngiliz Kemal Lavrens′e Karşı, 1952), musical (Çalsın Sazlar Oynasın Kızlar, 1953), melodrama (Kalbimin Şarkısı, 1955), comedy (Cilalı İbo′nun Çilesi, 1957), documentary (Tanrı′nın Bağışı Orman, 1964), Anatolian folklore (Kızılırmak Karakoyun, 1967), love story (Vesikalı Yarim, 1968) and songs… read more