Nainsukh (born 1710, died 1768) was the greatest eighteenth-century Indian miniaturist, the son of the respected Pandit Seu and brother of the steadfast Manaku. He deviated from his family workshop style by following his interest for Mughal naturalism. At the age of thirty, Nainsukh was invited by Raja Zorawar Singh to his castle in Jasrota. Nainsukh served him until Singh’s untimely death, but was retained as court artist by his young son Raja Balwant Singh. These two dandy-like, non-ruling Rajput princes were connoisseurs who enjoyed spending their limited fortunes on entertaining colourful guests and they shared a refined taste in music, dance and theatrical performances. Nainsukh participated in their artistic amusements… —http://www.labiennale.org
The works of Amit Dutta oscillate between Indian mythology and a personal symbolism whose distinctive pictorial language is often compared with that of Sergei Parajanov. Born in 1977, the graduate of the Film and Television Institute of India is already regarded at his young age as one of the prime experimental filmmakers on the Subcontinent. He made a name for himself in Europe as well when Keshkambli was screened in Oberhausen in 2003, and he won the FIPRESCI Award at the festival in 2007 for Kramasha. —kurzfilmtage.de