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Native Dancer

Baksy

Kazakhstan, Russia, Germany, France

2008

87 Min
Color
Kazakh, Russian
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DIR Gulshat Omarova

EXEC Saule Kagarova

PROD Sergei Azimov, Sergei Bodrov, Natacha Devillers, Anar Kachaganova, Sergei Selyanov

SCR Sergei Bodrov, Gulshat Omarova

DP Rafik Gallev

CAST Nesipgul Omarbekova, Farhat Amirkulov, Almat Ajanov, Tolepbergen Baisakalov, Toktar Beksenov

ED Dascha Danilova

PROD DES Almagul Menlibayeva

MUSIC Sig, Zig

Stockholm (Spotlight)

Synopsis

The story centers on Aidai, an old Kazakh Baksy (a Kazakh word for “Shaman”) who can heal people, find their souls and tell them where their stolen cattle has been hidden. She has been living on the land of a rich businessman, Batyr, for years because that is the place she gets her strength to heal from. When the mafia colludes with local authorities to build a gas station and motel over where her house stands, Aidai is pushed out of her home and mysteriously disappears. A year later after the construction takes place, someone burns down the property. The mafia accuses Batyr, the landowner, of the incident and makes him pay for the damages. When Batyr refuses to submit, they kidnap his precious young son whom Aidai once helped and took care of. Now, Batyr must find Aidai, because only she will be able to help him find his son. Guka Omarova not only venerates the Shaman and the feminine and spiritual aspects of the lands she dwells, but also emphasizes the masculine violence of capitalism which consumes the earth and the resources. The story centers on Aidai, an old Kazakh Baksy (a Kazakh word for “Shaman”) who can heal people, find their souls and tell them where their stolen cattle has been hidden. She has been living on the land of a rich businessman, Batyr, for years because that is the place she gets her strength to heal from. When the mafia colludes with local authorities to build a gas station and motel over where her house stands, Aidai is pushed out of her home and mysteriously disappears. A year later after the construction takes place, someone burns down the property. The mafia accuses Batyr, the landowner, of the incident and makes him pay for the damages. When Batyr refuses to submit, they kidnap his precious young son whom Aidai once helped and took care of. Now, Batyr must find Aidai, because only she will be able to help him find his son. Guka Omarova not only venerates the Shaman and the feminine and spiritual aspects of the lands she dwells, but also emphasizes the masculine violence of capitalism which consumes the earth and the resources. —22nd Ankara International Film Festival

Director

Original

Gulshat Omarova

Gulshat Omarova (sometimes credited as Guka Omarova) is a Kazakh film director, actress and screen writer. She was born in Almaty, Kazakhstan and now lives in Rotterdam, Netherlands. In 2004, Omarova was presented the Alice Award for Best Female Director by the Copenhagen International Film Festival for her film, Shiza.

In 1984 Omarova graduated from the journalism faculty of Al-Farabi University. From 1986 to 1988 she worked in television as assistant administrator and director. In 1998 she graduated from the Academy of Arts in Almaty on specialty “documentary film and television director”. Since 2001 she has been living and working in the Netherlands. The first notable role was in the film Shiza, which succeeded in winning of several prizes. —Wikipedia 

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