Country boy Caleb Colton (Adrian Pasdar) whittles away the quiet rural nights hunting local girls – but when he falls prey to the mysterious and beautiful Mae (Jenny Wright), Caleb unknowingly becomes the hunted. Mae is no ordinary girl, Caleb soon learns; she is part of an outlaw band of vampires, and their love is about to lure him into a terrifying world of bloodlust, mayhem and absolute horror. Will Caleb pay the ultimate price for love and eternal life – or will he find a way to defeat the evil growing inside him each night? —Lions Gate
Kathryn Ann Bigelow (born November 27, 1951) is an American film director, working in the science fiction, action and horror genres.
Bigelow was born in San Carlos, California, United States, the only child of a paint factory manager and a librarian. She broke into cinema via the art world, starting her creative life as a painter as a fellow at the Whitney Museum in New York. Bigelow entered the graduate film program at Columbia University, where she studied theory and criticism. Her professors included Vito Acconci and Susan Sontag. Bigelow worked with noted conceptualist Lawrence Weiner and worked with the Art & Language collective.
Bigelow’s first short film, The Set-Up (1978), is a 20-minute deconstruction of violence in film. The film portrays “two men (Gary Busey included) fight[ing] each other as the semioticians Sylvère Lotringer and Marshall Blonsky deconstruct the images in voice-over.” Her first full-length feature was The Loveless (1982… read more
Film that announced the arrival of Kathryn Bigelow as a voice to be heard. Her take on the family drama enveloped between the genre worlds of the horror film and the western is just pitch perfect. Casting was top notch with the family structure of Henriksen, Goldstein and Paxton working at all cylinders with one another. Jenny Wright was amazing here and such a shame her career wound up the way it did. Still a gem.
Best vampire movie of the latter half of the twentieth century, and greatest American vampire movie of all-time. Kathryn Bigelow imbues her horror flick/road movie/western hybrid with a creepy, otherworldly atmosphere throughout. It has its own take on the vampire mythology, and is shot so confidently that we never question where it takes us.
Also: The latest on her upcoming Bin Laden project.
Updated through 6/12. Let's begin this quick run through goings on in New York and with J Hoberman in the Voice: "Dennis Hopper changed the
Hours after the film industry had presented itself with a victory worth celebrating — Best Film and Best Director Oscars, among others, for
Before cult classic Point Break and sci-fi winner Strange Days, Kathryn Bigelow had an 80’s vampire gem called Near Dark. Having heard a lot of good word of mouth on this one, and my love for Days… read review