Howard Beale is an aging TV anchorman for UBS who is fired, effective in two weeks, after his ratings have been steadily deteriorating. He reacts to this by sensationally announcing on live television his intention to commit suicide on air. In doing so, Beale becomes a major TV icon and one of the most valuable assets to the Communications Corporation of America (CCA), the company that is gradually taking control of UBS. As a result he is given his own show as ‘the mad prophet of the air-waves’. He appears live on television every week-day evening to tell the real truth to the people of America. The program is a huge success but Beale uses his power to make startling revelations about CCA, leaving the company executives with a serious problem. –IMDb
Sidney Lumet (born June 25, 1924) is an American film director, with over 50 films to his name, including 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982), all of which, except for Serpico (1973), earned him Academy Award nominations for Best Director.
According to The Encyclopedia of Hollywood, Lumet is one of the most prolific directors of the modern era making more than one movie per year on average since his directorial debut in 1957. He is especially noted for his ability to draw major actors to his projects. “Because of his visual economy, strong direction of actors, vigorous storytelling and use of the camera to accent themes,” states Turner Classic Movies. “Lumet produced a body of work that could only be defined as extraordinary.”
One of his steady themes during his career has been the “fragility of justice and the police and their corruption,” according to Thomson’s Biographical Dictionary of Film. He can deliver… read more
I have a lot of respect for Lumet, for the iconic moments that he's directed, and for his open commentary on filmmaking. Network has some really unique elements---I love the contained aesthetic; the rules somehow only apply to the world of Network, not real life (though 'real life' is a theme). Realizing the heightened melodrama doesn't save the untruthful moments for me. Even in melodrama, I like to feel the truth.
Brilliant. Finely treads the line between satire and self-referential realism. And makes it look easy! The script is just perfect and Sidney Lumet always puts the camera where it needs to be - the relationship between Howard Beale and his cameras is a big part of the shot design, and very smart. Wonderful storytelling here. Way ahead of its time.
Prophetic,brillant and my favorite Sidney Lumet film.A masterpiece very close from the late Ray Bradbury's famous novel "Fahrenheit 451" (1953).A minimalist direction with no music to give more sense to this nonsense,some dialogues reminded me of the great Mankiewicz especially Kirk Douglas' monologue about radio in "A Letter To Three Wives" plus the cynism in the perfect "All About Eve".PTA's "Magnolia" I see you..
"Sidney Lumet, a director who preferred the streets of New York to the back lots of Hollywood and whose stories of conscience — 12 Angry
This is one of those wonderful films where everything comes together. The acting and the writing is by far the most impressive elements of this film. William Holden and Peter Finch should have both… read review
Cada fenómeno social nace de un profundo resentimiento, ira o fuertes sentimientos destructivos (hacia uno mismo o vertidos hacia el exterior). Estos fenómenos suelen ser casi circunstanciales, eventos… read review
The cruel and caustic story of Howard Beale, a newscaster who had a breakdown due to the loss of his family, the booze, and all the fallacies he regurgitated to millions of automatous viewers.