Danish documentarian Jørgen Leth revisits the theme and poetic style of his earlier film 66 Scenes from America and finds in the faces, skylines, and roadside attractions of the United States a perfect post-September 11 salute to what makes the country great: not ideologies or flag waving, but eccentricity, idiosyncrasy, and individuality. —IMDb
Jørgen Leth is a Danish poet and film director who is considered a leading figure in experimental documentary film making. Most notable are his epic documentary A Sunday in Hell (1977) and his surrealistic short film The Perfect Human (1967). He is also a sports commentator for Danish television and is represented by the film production company, Sunset Productions.
Jørgen Leth was born on June 14, 1937 in Århus, Denmark. He studied literature and anthropology in Aarhus and Copenhagen and was a cultural critic (jazz, theatre, film) for leading Danish newspapers from 1959 to 1968. His interest in Polish anthropologist Bronisław Malinowski had a profound influence on his work. He travelled in Africa (1961), South America and India (1966) and Southeast Asia (1970–71). His first book was published in 1962 and he has written 10 volumes of poetry and eight non-fiction books. He made his first film in 1963 and has since made 40 more, many distributed worldwide. His… read more
Poetic and intriguing juxtapositions convey a portrait of "America" in which Leth is able to capture the thematic continuity of American culture through an emphasis on creation and consumption at the country's points of the worldly intersection, while also quietly suggesting an agenda to remake an "Easy Rider" that is applicable to the early 2000s.
Does it take great discipline to create art within such a minimalist methodology? Personally, the temptation to add more rather than stay true would be too great. Leth's quiet, thought provoking film is beautiful in its cinematography, pacing, as well as poetic narration. A thought provoking gem.