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Synopsis

Romantic musical drama concerning the struggling careers of a young danceband vocalist and the saxophone player who falls in love with her, during the forties and fifties. –BFI

Director

Original

Martin Scorsese

Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more

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Michael S. Templin

31Jan12

A beautiful 1977, 1:66:1 musical, both touching & funny; we see every angle of Francine (Minnelli) and Jimmy (De Niro). Scorsese makes deliberate, methodic, and deep cuts to the very heart of passion & romance; exhibiting permutations of love & lust, show business & family. Single most interesting and persistent motif is the disenchanting, sometimes paradoxical light cast on popular supposition & success. (IV/V)

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Patrick

2Sep11

It's great! You know?

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Patrick

2Sep11

Scorsese's most experimental movie. What happens when real people live in a formalistic setting? New york, New york. I love it in full. Very close to Ford.

Neil Bahadur and Kaan. like this

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Harry Rossi

18Jul11

Despite the wonderful "Happy Endings" number and one or two other wonderful numbers from Liza, I'm gonna have to rate this one two stars for being boring as hell with really awkward dialogue. I don't know what went wrong, I love Scorsese, DeNiro, Minnelli, and musicals. This was just too long and too odd for my taste.

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W184

70s Musicals, Human Rights Watch and More

By David Hudson on June 16, 2011

"A downbeat homage to bright-lights showbiz dramas, an epic orchestration that indulges in stubbornly obsessive riffs, Martin Scorsese's New

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