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New York, New York

United States

1977

155 Min
Color
1.66:1
English
  • Currently 3.3/5 Stars.
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DIR Martin Scorsese

PROD Robert Chartoff, Irwin Winkler

SCR Earl Mac Rauch, Mardik Martin

DP László Kovács

CAST Liza Minnelli, Robert De Niro, Lionel Stander, Barry Primus, Mary Kay Place, Georgie Auld, George Memmoli, Dick Miller, Murray Moston, Casey Kasem

ED Bert Lovitt, David Ramirez, Tom Rolf

PROD DES Boris Leven

SOUND Kay Rose

Karlovy Vary (New Hollywood), Istanbul (Film and Music)

Synopsis

Romantic musical drama concerning the struggling careers of a young danceband vocalist and the saxophone player who falls in love with her, during the forties and fifties. –BFI

Director

Original

Martin Scorsese

Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more

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Robert Regan

30Jan13

This is Scorsese's worst shot.

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T. J. Harman

16Dec12

A lovely mix of old Hollywood and 70s Hollywood. An underrated Scorsese film that I think people weren't ready for this side of him in '77. Deniro is very strong as is Minnelli (my 1st exposure to her outside of Arrested Development) who shines in the latter half of the film that focuses on her.

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AKFilmFan

22Nov12

Mixing the artificial style of 40's musicals with contemporary emotional complexities, Scorsese's edited-down follow up to Taxi Driver is enjoyable but can't overcome its unfocused story due to its improvised and lengthy scenes.

Lorena likes this

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WhatsUpWill

3May12

If you're an artist and you're significant other is an artist, then you must watch this film. Especially if you are planning to get married. A very underrated film by Martin Scorsese.

Langston Young likes this

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W184

70s Musicals, Human Rights Watch and More

By David Hudson on June 16, 2011

"A downbeat homage to bright-lights showbiz dramas, an epic orchestration that indulges in stubbornly obsessive riffs, Martin Scorsese's New

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