“New York, N.Y.” won the César Award for best short documentary in 1986.
Raymond Depardon is a photographer, a journalist and a filmmaker. He was born into a family of farmers in 1942 in Burgundy and went to Paris in 1958, wishing to be a photographer. He was first taken on as a messenger in an agency and was sent to take photos of an opening-night at the cinema: the movie was none other than Jean-Luc Godard’s Breathless. He finally established his own agency, Gamma, together with three reporters, in 1966 ‘not for money but for the freedom’. He suggested to set up a cinema department: ‘we bought an Eclair- camera and tried to make news-films for television in addition to taking news-photograhs… It was then that I learned to hold the camera." When Depardon films people, he is silent. If one has the impression that he always keeps his eyes lowered in the face of the world’s miseries, it is untrue. Raymond Depardon looks as through a lattice and reacts like quicksilver, keeping his deepest, innermost emotion secret, and allows his pictures to speak for themselves… read more
One of the best avant-garde shots of New York since Andy Warhol's EMPIRE. Its realism comes from the 1970s experiment on minimalism by Akerman et.al., but somehow, the tinge of this film is not merely to document what the camera can see but to dwell into the feelings, the emotional resonance it produces.
(...) "I filmed the city from the aerial tramway connecting Roosevelt Island and Manhattan: the outward trip, a shot of Wall Street at nightfall when it was snowing a bit, and the return trip. The only noise you could hear was a woman's stiletto heels, which reinforced the feeling of solitude, with scenery like in the Fritz Lang film Metropolis". It also remind me of Jean-Luc Godard´s Alphaville.
I realized that the city fits my personality. I don’t like talking to people, I prefer to remain the observer. The city allows me to photograph without having to introduce myself. Cities have stimulated… read review