The story is simple: Radiation from a fallen satellite has caused the dead to walk, and hunger for human flesh. Once bitten, you become one of them. And the only way to kill one is by a shot or blow to the head. We follow a group holed up in a small farmhouse who are trying to fend off the inevitable onslaught of the dead. The tension between the members of this unstable, makeshift community drives the film. Night of the Living Dead establishes savagery as a necessary condition of life. Marked by fatality and a grim humor, the film gnaws through to the bone, then proceeds on to the marrow. –Jim Gay
Born George Andrew Romero on February 4, 1940 in New York City. Romero was passionate about filmmaking from an early age. After attending Carnegie-Mellon University, he worked in the industrial film business making commercials and shorts. In 1968, he released his first full-length feature, a horror film called Night of the Living Dead. Shot in Pittsburg, Pennsylvania, the low-budget film soon reached cult status. Romero subsequently turned it into a trilogy with 1978’s Dawn of the Living Dead and 1985’s Day of the Dead.
Known for mobilizing tiny budgets to create unforgettable scare flicks, Romero also directed Creepshow (1980), Martin (1978) and the TV show Tales From the Darkside (1984-1986). Though the success of his Dead trilogy afforded him bigger budgets and higher profile actors, Romero failed to attain the same level of success later in his career.
Romero is married to actress Christine Forrest. They have three children. —bio.
Romero saw the enemy, and they are the zombie masses among us. There is nowhere safe to hide.
Also: Steven Soderbergh, Shekhar Kapur and Theo Angelopoulos take on new projects.
The paradox of George Romero is that he is equally old-fashioned and forward-thinking; keen on the modern, thinking of it in classical terms
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"Pontypool. Pontypool. Ponty-pool." It's such a pleasure to discover a film like director Bruce MacDonald and writer Tony Burgess's Pontypool
A small classic and a cornerstone of its genre that accomplishes far more with a few thousand dollars and 1968 prosumer film technology than most contemporary big-budget fright fests. I loved how it… read review
Voilà LE film genèse du genre zombie. C’était il y a quarante ans et Romero va évidemment révolutionner le film d’horreur. Se basant du livre Je suis une légende, remplaçant les suceurs de sang par… read review
Based on the bargain bin Horror Classics 50 Movies DVD pack, which includes several zombie flicks from the 30’s and 40’s, zombies were the monsters of choice when your budget was the lowest of low… read review