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Director

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Oliver Stone

Oliver Stone has become known as a master of controversial subjects and a legendary film maker. His films are filled with a variety of film angles and styles, he pushes his actors to give Oscar-worthy performances, and despite his failures, has always returned to success.

After dropping out of Yale University, Oliver Stone became a soldier in the Vietnam War. Serving in two different regiments (including 1rst Cavalry), he was introduced to The Doors, drugs, Jefferson Airplane, and other things that defined the sixties. For his actions in the war, he was awarded a Bronze Star for Gallantry and a Purple Heart. Returning from the war, Stone did not return to graduate from Yale. His first film was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay. The next seven years saw him direct two films: Mad Man of Martinique (1979) and The Hand (1981), starring Michael Caine. He also wrote many screenplays… read more

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Lights in the Dusk

20Sep11

Prospero drifts through his kingdom of shadows. The narrative here is an accumulation of moments investigated by the title character as he sits alone in the Oval Office, examining the library of tapes that will inevitably lead to his downfall. Stone's experiments with 'the form' capture the psychology of the character, deconstructing the reality of his situation through a dizzying array of styles and techniques.

Trevor Tillman likes this

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Pierluigi Puccini

15Sep11

Hopkins is a monster. He does a truly larger than life performance, even if the megalomaniacal and mythomaniac Oliver Stone tries to pass his own paranoia to the Nixon character, Hopkins succeeds in retaining not only the madness but the candor and humanity only seen and heard from a Shakespeare monarch. Overlong and hallucinatory but dense and ultimately compelling.

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Dave

1Aug11

After viewing this a second time today, I have no question that this is another Stone masterwork, second only to his earlier political thriller JFK. The hit-and-miss nature of Stone's work can be maddening, but at his best - and especially when working with Robert Richardson - he can be a brilliant filmmaker. Stone makes the Nixon story Shakespearean and the editing/cinematography are nothing short of spectacular.

msmichel likes this

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Ryan H.

11Apr11

Oliver Stone, in truth a hit-or-miss filmmaker, achieves something truly marvelous in NIXON, an operatic, bombastic mix of classic Hollywood epic storytelling and experimental style. One of the few great films about American politics.

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