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No Direction Home: Bob Dylan

United States, United Kingdom

2005

208 Min
Color
1.33:1
English
  • Currently 4.1/5 Stars.
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DIR Martin Scorsese

PROD Susan Lacy, Jeff Rosen, Martin Scorsese, Nigel Sinclair, Anthony Wall

DP Maryse Alberti, Mustapha Barat, Oliver Bokelberg, Anghel Decca, Ken Druckerman, Ellen Kuras, James J. Miller, James Reed, Lisa Rinzler, Michael Spiller

CAST Bob Dylan, B.J. Rolfzen, Dick Kangas, Joan Baez, Mavis Staples

Synopsis

Portrait of an artist as a young man. Roughly chronological, using archival footage intercut with recent interviews, a story takes shape of Bob Dylan’s (b. 1941) coming of age from 1961 to 1966 as a singer, songwriter, performer, and star. He takes from others: singing styles, chord changes, and rare records. He keeps moving: on stage, around New York City and on tour, from Suze Rotolo to Joan Baez and on, from songs of topical witness to songs of raucous independence, from folk to rock. He drops the past. He refuses, usually with humor and charm, to be simplified, classified, categorized, or finalized: always becoming, we see a shapeshifter on a journey with no direction home. —IMDb

Director

Original

Martin Scorsese

Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more

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lauli

11Oct11

What can I say? Scorcese AND Dylan. What could possibly go wrong? Great footage from the 60s

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Mingle

23Mar11

Seems pretty standard fare as far as documentaries go. A lot of the talking head interview with current-day Dylan is even terribly out of focus!... But the content is just too damn interesting to ignore. The last 20 minutes alone is enough to push this into 4 stars; that's what we came here for, Marty, to see Dylan in his time, being loved and hated and worshiped and rebuked...and how he didn't ask for any of it.

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ExitBxC

14Feb11

Want to feel like a small, insignificant, piece of nothing? Watch this....twice. Debate are debates, opinions are opinions, but Dylan's stretch of work from 1963 to 1968 will never, ever, be close to being equaled in popular music. That's just a simple fact.

Susie Q and 4 others like this

Liis, Colton Bose, mothfight, Brian Padian

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pickledelephant

15Nov10

mesmerizing! and it covers oh-so-much-more than Dylan alone.

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W184

Dylan @ 70

By David Hudson on May 24, 2011

Updated through 5/25. "In his nonmusical writing, the teasing, puzzling, half-nonsensical 'novel' Tarantula pales in strangeness next to the

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