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No Rest for the Brave

Pas de repos pour les braves

Austria, France

2003

104 Min
Color
1.85:1
French
  • Currently 3.9/5 Stars.
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DIR Alain Guiraudie

PROD Nathalie Eybrard, Jean-Philippe Labadie

SCR Alain Guiraudie, Frédéric Videau

DP Antoine Héberlé

CAST Thomas Suire, Thomas Blanchard, Laurent Soffiati, Vincent Martin, Pierre-Maurice Nouvel, Roger Guidone, Nicole Huc, Jean-CLaude Baudracco

ED Pierre Molin

PROD DES Eric Moulard

MUSIC Bruno Izarn, Jacques Mestres

SOUND Sylvain Girardeau

Cannes (Quinzaine des Réalisateurs), London (French Revolutions), BAFICI (Retro: Alain Guiraudie)

Synopsis

A comedy built on non sequiturs, the French-Austrian production No Rest for the Brave recalls Luis Buñuel at his most playful, or perhaps more accurately, the absurd New Zealand “exquisite corpse” film The Price of Milk. Brave opens on a bar in a sleepy farming village where two men, Igor and Basile, are having a conversation about their dreams. Concerned about his friend’s addled state, Igor visits him the next day but can’t find him; it turns out Basile has committed a massacre in the town square, and promptly shoots Igor dead. From there, the film returns to the bar, where a man named Hector is preparing to do some shady business with a bunch of gangsters.

Director

Original

Alain Guiraudie

Alain Guiraudie, born July 15 1964 in Villefranche-de-Rouergue (Aveyron), is an actor, director and writer.

Born into a farming family, he developed a passion for very young folk culture. In 1990, he directed his first short film, Heroes Never Die.
In a style picaresque and the tone of the tale, he strives to represent the working class in the film That Old Dream That Moves, winner Prix Jean Vigo and presented in 2001 at the Directors Fortnight. Jean-Luc Godard spoke on this occasion that it was the “Best Film at Festival de Cannes.” Alain Guiraudie then passes to feature film, and is still filming in the Southwest.

“When I was an adolescent I thought about going into movies, but it seemed difficult to achieve. After high school, I almost tried applying to L’IDHEC, [Ed.- French film school], but I didn’t feel capable of getting in. Afterwards I wrote a few bad novels. One day I wrote something really shitty and poorly defined, something between a… read more

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