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Nosferatu

Nosferatu - Eine Symphonie des Grauens

Germany

1922

94 Min
Black and White
1.33:1
German, Silent
  • Currently 4.2/5 Stars.
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DIR F.W. Murnau

PROD Enrico Dieckmann, Albin Grau

SCR Henrik Galeen, Bram Stoker

DP Fritz Arno Wagner, Günther Krampf

CAST Max Schreck, Gustav von Wangenheim, Greta Schröder, Alexander Granach, Georg H. Schnell, Ruth Landshoff

PROD DES Albin Grau

Berlinale (Out of Competition)

Synopsis

An unauthorized adaptation of Bram Stoker’s Dracula, Nosferatu is the quintessential silent vampire film, crafted by legendary German director F. W. Murnau (Sunrise, Faust, The Last Laugh).

Rather than depicting Dracula as a shape-shifting monster or debonair gentleman, Murnau’s Graf Orlok (as portrayed by Max Schreck) is a nightmarish, spidery creature of bulbous head and taloned claws — perhaps the most genuinely disturbing incarnation of vampirism yet envisioned.

Nosferatu was an atypical expressionist film in that much of it was shot on location. While directors such as Lang and Lubitsch built vast forests and entire towns within the studio, Nosferatu’s landscapes, villages and castle were actual locations in the Carpathian mountains. Murnau was thus able to infuse the story with the subtle tones of nature: both pure and fresh as well as twisted and sinister. —kino

Director

Original

F.W. Murnau

To this day German filmmaker F. W. Murnau remains one of the most influential directors of cinema. After studying art and literature history at the University of Heidelberg, he became a student of director Max Reinhardt until serving in World War I as a combat pilot. During a flight, he accidentally strayed into Switzerland and stayed there till the war’s end. He made his directorial debut in 1919 back in Germany; although he made several films over the next three years, most of them have been lost. Murnau first gained international renown with Nosferatu the Vampire in 1922. Unlike others, Murnau filmed this still chilling masterpiece on location. His next film, The Last Laugh (1924), utilized unique camera techniques that later became the basis for mise-en-scene. He continued making German films, notable for their pessimism and pervading sense of doom, until he moved to Hollywood in 1926 to work for Fox studios. His first American film, Sunrise: A Story of Two Humans (1927), is considered… read more

Wall

Displaying 4 of 57 wall posts.
Picture of Lucy Yao

Lucy Yao

12Apr13

a forgotten dream

Picture of Troy Savory

Troy Savory

21Dec12

Amazing how this film has stood the test of time and still achieves in making audiences uncomfortable and scared. A great masterpiece of movie making which is an essential part of cinema history.

Thomas Henry Gould likes this

Picture of liesbet vanessche

liesbet vanessche

23Aug12

actually really scary! I love all the spider references. goodgoodgood!

Thomas Henry Gould likes this

Picture of ΞRIC B∆D TASTΞ

ΞRIC B∆D TASTΞ

12Aug12

"No One Can Escape Of His Fate" the whole movie has a very dark atmospheric touch, even the trees look spooky. i really love the first half of the movie or act I till III - after, the movie looks a bit like thrown together - but it is still an awesome piece of work & history!

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Fans

Displaying 5 of 4815 fans.

Articles

Our roundup of essays and articles on this film.
W184

The Forgotten: The Unheimlich Maneuver

By David Cairns on September 1, 2011

Graf Oetsch, suspected of his brother’s murder, arrives uninvited at a hunting party. Why is he here?

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W184

The Forgotten: Street of Dreams

By David Cairns on November 25, 2010

Production stills have played a large and peculiar role in my movie-watching life. Seeing a haunting image from some unfamiliar film can set

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W184

Vampires @ BAM, Dennis Hopper @ the Castro, "The Sicilian Girl"

By David Hudson on August 4, 2010

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The Forgotten: Blood is the Color of Night

By David Cairns on March 19, 2009

The Fearless Vampire Colours When Emma Thompson's dad, Eric, was given the job of translating a French kids' show for the BBC, he projected

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Blank

The Forgotten: Weasels and Doves

By David Cairns on February 5, 2009

W.O.W. Historically, Valerie and Her Week of Wonders can be seen as Czech New Wave director Jaromil Jires's attempt to run for cover and make

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Lists

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Reviews

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Rat brings plague to Bremen

By Byron Brubake​r on November 9, 2010

The version with English title cards still names the characters Harker, Mina, Renfield, and Van Helsing. And you can see that the story holds very closely to Bram Stoker’s original novel except that…  read review

Untitled

By Alvaro on November 17, 2009

I just revisited this gorgeous twilight tale of old and it keeps surprising me. Great performances and even greater editing.

I consider this more than just a classic horror film, for me this…  read review

Untitled

By Lucas Granero on April 25, 2009

Murnau crea grandes climas, el manejo del suspense es inmejorable, todos los mitos alrededor de “Nosferatu” son, sin lugar a dudas, toda una leyenda cinematgráfica. Tembien son excelentes el manejo…  read review

Forum

Displaying 2 discussion topics.

Are You Afraid of the Dark Reference

7 posts by 5 people over 1 year ago

Why Is This The Quintessential Vampire Movie?

63 posts by 25 people over 3 years ago