Lucas Marsh, an intern bent upon becoming a first-class doctor, not merely a successful one. He courts and marries the warm-hearted Kristina, not out of love but because she is highly knowledgeable in the skills of the operating room and because she has frugally put aside her savings through the years. She will be, as he shrewdly knows, a supportive wife in every way. She helps make him the success he wants to be and cheerfully moves with him to the small town in which he starts his practice. But as much as he tries to be a good husband to the undemanding Kristina, Marsh easily falls into the arms of a local siren and the patience of the long-sorrowing Kristina wears thin. She reasons he no longer needs her and asks for a divorce. A calamity now brings Marsh to his senses. Dr. Runkleman, Marsh’s gruff and wise employer, is stricken with a heart attack and requires emergency surgery. Marsh is forced to operate. —IMDb
Stanley Kramer made his reputation during the 1950s and 60s as one of the few producers and directors willing to tackle issues most studios sought to avoid, such as racism, the Holocaust and nuclear annihilation. He came to Hollywood an aspiring writer and hooked on with MGM, working first as a scenery mover and carpenter and then in their research department before spending three years there as an editor. He wrote for radio as well as for Columbia and Republic Studios for awhile, but it was as a strong-willed independent producer that Kramer would finally make his mark. Though his first feature (“So This Is New York”, 1948) flopped, he hit his stride with his next one, the intense and exciting anti-boxing pic “Champion” (1949), which propelled Kirk Douglas to stardom and launched Mark Robson’s career as an important director.
The series of commercially successful economy productions that followed, by turns prestigious and socially responsible and all scripted by “Champion” screenwriter… read more