In fascist Portugal of the late sixties a rich landowner leads an idle life of hunting (animals and women), drinking and enjoying himself. He owns everything and everybody around him not only the objects, the horses, the dogs, the land and the lagoon but also the people like his servants and his own beautiful wife whom he keeps secluded inside his house like an emulator of the old feudal lords. The triangle formed by him, his wife and his manservant is an ambiguous one and the tensions produced within it end up in a tragic outcome. – IMDb.com
He surges in his generation, of budding directors rising up through the so-called “cine-club” movement, and acquires his first technical knowledge by working in television.
He graduated from the London Film School, which he attended in 1959-60, with a scholarship from the National Cinema Fund. After his return to Portugal, he pens Belarmino (1964), a film about the life of the pugilist Belarmino Fragoso, a film that is considered one of the key works from the Portuguese New Cinema movement, along with Dom Roberto by Ernesto de Sousa, and Os Verdes Anos (The Green Years) by Paulo Rocha.
In 1965, he spends a training period in Hollywood, where he remains for three months. Upon returning, he films A Bumblebee in the Rain (1971), adapted from the novel by Carlos de Oliveira and starring Laura Soveral; and along with O Delfim (2002), the two films are considered his greatest works. In 2006, he directs two films: 98 Octanes read more
Todo o filme está muito bem orquestrado (a um nível artístico é admirável) contudo, com uma narrativa com tanta subtileza que até se vai evadindo da mesma, ou seja... tanto para tão pouco. 6/10 - Interessante