It’s bolder. Riskier. The most dazzling heist yet. George Clooney, Brad Pitt, Matt Damon and more reteam with director Steven Soderbergh for a split-second caper that stacks the deck with wit, style and cool. Danny Ocean again runs the game, so no rough stuff. No one gets hurt. Except for double-crossing Vegas kingpin Willy Bank (Al Pacino). Ocean’s crew will hit him where it hurts: in his wallet. On opening night of Bank’s posh new casino tower The Bank, every turn of a card and roll of the dice will come up a winner for bettors. And they’ll hit him in his pride, making sure the tower doesn’t receive a coveted Five Diamond Award. That’s just the start of the flimflams. The boys are out to break The Bank. Place your bets! –amazon
At the age of 26, Steven Soderbergh permanently altered the face of independent cinema when he became the youngest-ever winner of the Palme d’Or at the 1989 Cannes Film Festival for sex, lies and videotape, his feature-film directorial debut. A simmering exploration of the nature of modern relationships and the links between sexuality and voyeurism, the film was an international sensation that established its director as one of the golden boys of world cinema. Born in Georgia on January 14, 1963, Soderbergh grew up in Baton Rouge, LA, where his father was the Dean of Louisiana State University’s College of Education. While still in high school, Soderbergh enrolled in the university’s film animation class and began making short 16 mm films with second-hand equipment. After he graduated from high school, he went to Hollywood, where he worked as a freelance editor. Soderbergh’s time in Hollywood was brief, and he soon returned home, where he continued making short films and writing scripts… read more
Even when creating (seemingly) mainstream product, Soderbergh is never conventional. Only in his weakest films does he even pretend to be a storyteller. In his best work, the emphasis remains on mood, atmosphere, deconstruction of form and technique. Ocean's Thirteen might be a step back from the gonzo meta-pastiche of the second film, but it's no less of a charming, creative, largely entertaining gambol...
The prolific filmmaker talks about money, intuition, digital style, and betraying the audience.
"That jaunty exclamation mark handily sets the tone for Steven Soderbergh's The Informant!, a flip, frisky entertainment that may