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Ode

United States

1999

48 Min
Color
English
  • Currently 4.0/5 Stars.
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DIR Kelly Reichardt

PROD Susan A. Stover

SCR Herman Raucher, Kelly Reichardt

DP Kelly Reichardt

CAST Kevin Poole, Heather Gottlieb, Jon Wurster

ED Philip Harrison

MUSIC Will Oldham

BAFICI (Retro Kelly Reichardt), Outfest

Synopsis

Ode is a Super-8 adaptation of the Herman Raucher novel Ode to Billy Joe, a story about the legendary Billy Joe McAllister, who jumped off the Tallahatchee bridge. Shot on location in rural North Carolina, the film explores issues of gay sexuality, repression, and teen suicide.

Director

Original

Kelly Reichardt

Kelly Reichardt is a screenwriter and film director working within American indie cinema. Her debut film River of Grass was released in 1994. It was nominated for three Independent Spirit Awards, as well as the Grand Jury Prize at the Sundance Film Festival. In 1999, she completed her sophomore feature, Ode, based on Herman Raucher’s novel Ode to Billie Joe. Next, she made two short films, Then a Year, made in 2001, and Travis, which deals with the Iraq War, in 2004. Most of her films are regarded to be part of the minimalist movement in films.

In 2006, she completed Old Joy, based on the short story by Jon Raymond, starring Daniel London and singer-songwriter Will Oldham as two friends who reunite for a camping trip to the Cascades and Bagby Hot Springs, near Portland, Oregon. The film won awards from the Los Angeles Film Critics Association, Rotterdam International Film Festival and Sarasota Film Festival. Neil Kopp won the Producer’s Award at the 2007 Independent Spirit Awards… read more

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Clayton

4Aug11

So good!

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Malkin

16May11

A film for spring, made of moments, looks and gestures as delicate as beads of dew. It feels like it could have been made in the 60s, and the characters do regularly comment on how hopelessly backwards-looking their environment is; this is the root of the tragedy. At times it feels like it can stand with the best of Reichardt, but the terribly patronizing narration pops up sporadically to rob the film of its impact.

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