Of Human Bondage

United Kingdom

1964

100 Min

Black and White

1.85:1

English

Currently 3.3/5 Stars.
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DIR Ken Hughes, Bryan Forbes, Henry Hathaway

SCR Bryan Forbes, W. Somerset Maugham

CAST Kim Novak, Laurence Harvey, Robert Morley, Siobhán McKenna, Roger Livesey, Jack Hedley, Nanette Newman, Ronald Lacey, Olive White, Norman Smythe, David Morris

PROD DES John Box

SOUND Norman Bolland, Bob Jones

Synopsis

After two unsuccessful years pursuing an art career in Paris, clubfooted Philip Carey decides to study medicine. He meets and falls in love with Mildred Rogers, a low-class waitress who takes advantage of his feelings for her. When she leaves him to marry another man, Philip falls in love with Nora Nesbitt, a writer who encourages him to complete his studies. Mildred returns, pregnant and abandoned by her husband, and Philip takes her in and cares for her, ending his relationship with Nora. While staying with Philip, Mildred has an affair with his best friend Griffiths, and when Philip confronts her, she tells Philip she’s repulsed by him and walks out. After earning his degree, Philip becomes an intern at a London hospital. He learns Mildred is working as a prostitute and seeks her out at the brothel where she’s living with her ailing child. —Wikipedia

Director

Ken Hughes

Ken Hughes (1922-2001) b. Liverpool, England. Associated with the film industry for over fifty years, Hughes was a television playwright and novelist. Most of his films were crime thrillers, including a bizarre version of Macbeth transposed to American gangland, Joe Macbeth (1955). The success of The Trials of Oscar Wilde (1960) with Peter Finch led to bigger-budget projects. His most ambitious work was Cromwell (1970), in which the dictator of the Commonwealth was seen as a seventeenth-century Castro, leading his freedom fighters. Hughes did score back-to-back successes with the bond spoof Casino Royale (1967) and Disney’s Chitty Chitty Bang Bang (1968). Later he directed Alfie Darling (1975), a 70s sex-comedy follow-up to the Oscar-nominated Alfie (1966). —britmovie.co.uk

Bryan Forbes

Bryan Forbes, CBE is an English film director, actor and writer. Bryan Forbes was born John Theobald Clarke on 22 July 1926 in Queen Mary’s Hospital, Stratford, West Ham, Essex (now Greater London), and grew up at 43 Cranmer Road, Forest Gate, West Ham, Essex (now Greater London).

Forbes trained as an actor at the Royal Academy of Dramatic Arts but did not complete his studies. After military service from 1945 to 1948, he played numerous supporting roles in British films including in 1955 The Colditz Story, alongside John Mills, as well as appearing on the stage, but was obliged to change his name by British Equity to avoid confusion with the adolescent actor John Clark. He began also to write for the screen, receiving his first full credit for The Cockleshell Heroes in 1955. Another noted screenplay of his from this period was for The League of Gentlemen in 1959, in which he also acted.

He formed a production company with his frequent collaborator Richard Attenborough… read more

Bryan Forbes, CBE is an English film director, actor and writer. Bryan Forbes was born John Theobald Clarke on 22 July 1926 in Queen Mary’s Hospital, Stratford, West Ham, Essex (now Greater London), and grew up at 43 Cranmer Road, Forest Gate, West Ham, Essex (now Greater London).

Forbes trained as an actor at the Royal Academy of Dramatic Arts but did not complete his studies. After military service from 1945 to 1948, he played numerous supporting roles in British films including in 1955 The Colditz Story, alongside John Mills, as well as appearing on the stage, but was obliged to change his name by British Equity to avoid confusion with the adolescent actor John Clark. He began also to write for the screen, receiving his first full credit for The Cockleshell Heroes in 1955. Another noted screenplay of his from this period was for The League of Gentlemen in 1959, in which he also acted.

He formed a production company with his frequent collaborator Richard Attenborough in 1959 (Beaver Films), which went on to make The Angry Silence in 1960, a screenplay by Forbes in which Attenborough took the lead role, and both shared production responsibilities. In 1961 he made his directorial debut Whistle Down the Wind, again produced by Attenborough. In 1964, Forbes wrote and directed Séance on a Wet Afternoon, for which he won a 1965 Edgar Award from the Mystery Writers of America, for Best Foreign Film Screenplay. That same year he wrote the third screen adaptation of the Somerset Maugham novel Of Human Bondage. In 1965 he went to Hollywood to make King Rat.

In 1969 he was appointed chief of production and managing director of the film studio Associated British (EMI), but the experience was not a success and he resigned the post in 1971, though he was partially responsible for financing The Railway Children (1970). After his experience as an executive, Forbes film output declined, although he did enjoy success as the director of The Raging Moon (1971) and The Stepford Wives (1975). The Slipper and the Rose (1976), International Velvet (1978) and The Naked Face (1984) were not successful. More recently, he scripted Attenborough’s Chaplin (1992) —wikipedia

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Henry Hathaway

The archetypal studio professional, Hathaway began working in films before the industry had settled in Hollywood. During his 40-year career he directed over 60 features (including Paramount’s first Technicolor picture, “The Trail of the Lonesome Pine” 1936), became a pioneer of location shooting, and developed a reputation as a technically accomplished, reliable entertainer. He later bemoaned the familiar and unjust tag of “genial hack” which he had earned, he said, because of his reluctance to indulge in personal promotion. Certainly, though, the director of such fine and craftsmanlike action films like “The Lives of a Bengal Lancer” (1935), “Souls at Sea” (1937) and “Spawn of the North” (1938), as well as the atypical but hauntingly surreal love story “Peter Ibbetson” (1935), deserves more critical respect.

Hathaway began his career in San Diego, as a child actor in one-reelers directed by Allan Dwan, before moving to Hollywood with his actress mother. Both worked for T.H… read more

The archetypal studio professional, Hathaway began working in films before the industry had settled in Hollywood. During his 40-year career he directed over 60 features (including Paramount’s first Technicolor picture, “The Trail of the Lonesome Pine” 1936), became a pioneer of location shooting, and developed a reputation as a technically accomplished, reliable entertainer. He later bemoaned the familiar and unjust tag of “genial hack” which he had earned, he said, because of his reluctance to indulge in personal promotion. Certainly, though, the director of such fine and craftsmanlike action films like “The Lives of a Bengal Lancer” (1935), “Souls at Sea” (1937) and “Spawn of the North” (1938), as well as the atypical but hauntingly surreal love story “Peter Ibbetson” (1935), deserves more critical respect.

Hathaway began his career in San Diego, as a child actor in one-reelers directed by Allan Dwan, before moving to Hollywood with his actress mother. Both worked for T.H. Ince, and then for Universal, where Hathaway returned after World War I. His first shot at directing came at Paramount in the early 1930s, where he remade eight “Zane Grey” stories that had been shot as silent films, often using footage from the originals. All but one of these starred Randolph Scott, and Hathaway went on to direct Gary Cooper, Marlene Dietrich and Mae West before moving in 1940 to 20th Century-Fox, where he worked almost exclusively for the next 20 years.

Hathaway’s “The House on 92nd Street” (1945) marked the beginning of the semi-documentary filmmaking style popular in Hollywood after World War II, a style he continued with in “Call Northside 777” (1948). His later film noirs “Kiss of Death” (1947) and “Niagara” (1953), meanwhile, had a stylized flair which showed his versatility in adapting with the times while essentially reinforcing his talent for “tough” entertainment. Like John Ford, Hathaway continued to deliver professionally through Hollywood’s decline, even helming John Wayne’s Oscar-winning performance in “True Grit” (1969). —TCM.com

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