The “board” of the title is multifold: springboard, diving board or pirate plank. This is the story of an imperiled “brotherhood,” the story of a foursome. The story of four girls on the run, made of love, choices, shattered destinies. They are the protagonists of a film noir under the conflicting auspices of the dream of globalization. –Quinzaine des Réalisateurs
Born in 1970 in Morocco, Leila Kilani has been working as a freelance journalist since 1997. She started working on documentary cinema from 1999, making, among others, Tanger le Bruleurs and Our Forbidden Places. —festivalscope.com