Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly. —IMDb
Director/writer Walter Salles Jr. spearheaded the return of Brazilian cinema to international prominence in the latter half of the 1990s, particularly with his esteemed hit Central Station (1998). Born in Rio de Janeiro, the son of a well-heeled banker, Salles was raised in France and the United States before Brazil became his permanent home during his teens. Salles entered the Brazilian film industry as an award-winning documentary filmmaker during the industry’s 1980s/early-‘90s decline. After he moved to fiction with the thriller Exposure (1991), Salles’ feature career was stalled by Brazil’s disastrous economic freeze in the first half of the 1990s. Though he remained active by making documentaries for European television, Salles opted to stay in Brazil and made one of the first key films in the industry’s resurgence, Foreign Land (1995). Co-directed by Daniela Thomas, the internationally acclaimed Foreign Land addressed the fallout from Brazil’s economy through a mystery yarn set… read more
Léos Carax’s long-awaited return to Cannes is a loud one, and Carlos Reygadas’ Post Tenabras Lux sounds like a divisive highlight.
On the opening day of the 2012 Cannes Film Festival: a poster round-up of the films in competition.
Cronenberg, Resnais, Carax, Hong, Kiarostami, Reygadas, Wakamatsu, Miike…
Also: Woody Allen and Richard Kelly look ahead to new projects.
Remarkable, star-studded, appropriately R-Rated (not for high schoolers or below) screen adaptation of Jack Kerouac’s 1950s Beat Generation classic “road story,” worthy of praise. Those who do not… read review