At the start of WWII, Katie O’Hara, an American burlesque girl intent on social climbing, marries Austrian Baron Von Luber. Pat O’Toole, an American radio reporter, sees this as a chance to investigate Von Luber, who is suspected of having Nazi ties. As country after country falls to the Nazis, O’Tool follows O’Hara across Europe. At first he is after a story, but he gradually falls in love with her. When she learns that her husband is indeed a Nazi, O’Hara fakes her death and runs off with O’Toole. In Paris, she is recruited to spy for the allies; he uses a radio broadcast to make Von Luber and the Nazis look like fools. —IMDb
Los Angeles-born Leo McCarey was, along with Frank Capra, one of the most popular and successful comedy directors of the pre-World War II era. Unlike Capra, however, McCarey’s success endured well after World War II, and like Capra, his work was still influencing filmmakers in the 1990s. Originally an attorney, McCarey entered films by a circuitous route shortly after starting his own practice, beginning as an assistant to Tod Browning. During the 1920s, he went to work for Hal Roach Studios as a gag writer and director and, within two years, was a vice president. It was while at Roach that McCarey teamed Stan Laurel and Oliver Hardy together for the first time, thus creating one of the most enduring comedy teams of all time. As a director, he imposed a frantically paced, breakneck speed to comedy which quickly became his trademark in the 1930s. A triple-threat as writer and producer as well as director, McCarey made some of the most inspired comedies of the decade, including The Milky… read more
Just got to watch this on the big screen. I'm impressed at how well they situated a romantic comedy within the story of nazi expansion. Makes me thinkg about how you turn any oppressive situation into comedy. How did people take it in 1942 that a movie turned a comical eye on Nazism?
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