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One from the Heart

United States

1982

107 Min
1.33:1
English
  • Currently 3.3/5 Stars.
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DIR Francis Ford Coppola

EXEC Bernard Gersten

PROD Gray Frederickson, Fred Roos

SCR Armyan Bernstein, Francis Ford Coppola

DP Vittorio Storaro

CAST Frederic Forrest, Teri Garr, Raúl Juliá, Nastassja Kinski, Lainie Kazan, Harry Dean Stanton

ED Rudi Fehr, Anne Goursaud

PROD DES Dean Tavoularis

MUSIC Tom Waits

SOUND Richard Burrow

Berlinale (Retrospective), San Francisco (20 Years of Zoetrope Films), Toronto (Restored Version)

Synopsis

Hank and Frannie don’t seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship. Each one of them meets their dream mate, but as bright as they may seem, they are but a stage of lights and colours. Will true love prevail over a seemingly glamorous passion? Welcome to Coppola’s Broadway-like romantic musical. –IMDb

Director

Original

Francis Ford Coppola

He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more

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MR. Universe

17Apr12

I have to say the story is nothing special and kind of dull, the songs could be better and i say that as a tom waits fan. The filmis full of ideas and is amazing technically as it is all filmed on sets and feels realistic. almost like watching filmed theater. That is the only fascination that is to be had in watching the film. Though i give Francis Ford Coopola props for being a renassiance man

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Maximilian Bercovicz

8Jan12

Had this not been so misunderstood upon its release, I think 1980s American cinema would have gone in a completely different direction (for the better, probably). This is as good as anything Coppola has done - a real masterpiece.

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Cremildo

3Aug11

A breezy, beautiful misfire.

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The Great Pretense

By David Phelps on July 29, 2011

How Francis Ford Coppola remixed the Hollywood musical.

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