A university professor (Raz Degan) abandons everything he’s ever held sacred when he destroys priceless religious manuscripts and heads for the countryside. He moves into an abandoned hut and slowly begins to discover what really matters to him. After members of the community welcome him with food and assistance, they call upon the professor to help stop a group of developers from taking their land away.
Though not among Italy’s most internationally renowned filmmakers, Ermanno Olmi ranks as one of his country’s finest. He is known for making realistic films about the lives of average people that are infused with an almost austere subtlety and rare ambiguity that is sympathetic yet not overly sentimental. A native of Bergamo, Italy, he was the son of peasant factory workers. Following his father’s death during WWII, Olmi and his mother supported the family working in the Edison-Volta electric plant where Olmi worked as a clerk. While there, he became involved in company-sponsored filmmaking and theatrical projects. Most of the films he made for the company had industrial themes. Eventually, he came to head the company film department and over the next seven years made many documentaries, notably his last Edison-Volta film, Il Tempo Si E Fermato (Time Stood Still), in 1959. It was with this film, a chronicle of the relationship that gradually developed between an elderly nightwatchman… read more
Ce film me rapelle un poème du poète liégeois Robert Vivier : "Je ne veux pas être philosophe, Mais vivre, couper du pain".