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Orlando

France, Italy, Netherlands, Russia, United Kingdom

1992

93 Min
Color
1.85:1
French, English
  • Currently 3.8/5 Stars.
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DIR Sally Potter

PROD Christopher Sheppard

SCR Sally Potter, Virginia Woolf

DP Aleksei Rodionov

CAST Tilda Swinton, Quentin Crisp, Jimmy Somerville, Billy Zane, Charlotte Valandrey, Lothaire Bluteau, John Wood, Heathcote Williams, Peter Eyre, Dudley Sutton, Thom Hoffman, Sarah Crowden, Matthew Sim, Simon Russell Beale, Toby Jones, Toby Stephens

ED Hervé Schneid

PROD DES Ben van Os, Jan Roelfs

MUSIC Sally Potter, David Motion

SOUND Kant Pan

Venice (Competition): Elvira Notari Prize, OCIC Award, Toronto (Contemporary World Cinema), Sundance

Synopsis

Sexy, witty and provocative, Potter’s adaptation of Orlando turned Virginia Woolf’s most spirited novel, called ‘the longest love letter in English literature’, into a reinvention of heritage cinema that dazzled audiences and critics from the Venice Film Festival to Rolling Stone. Tilda Swinton’s feted performance as Orlando, the time-travelling, genderswitching hero/ine, became a touchstone for a new era of cinematic and political sexual and gender liberation. —BFI

Director

Original

Sally Potter

Sally Potter (b. 19 September 1949 in London) is an English film director and screenwriter.

Having left school at sixteen to become a filmmaker, Sally Potter joined the London Film-Makers’ Co-op and started making experimental short films. She later trained as a dancer and choreographer at the London School of Contemporary Dance, before founding Limited Dance Company with Jacky Lansley.

Potter went on to become an award winning performance artist and theatre director, with shows including MOUNTING, DEATH AND THE MAIDEN and BERLIN. In addition, she was a member of several music bands (including FIG and The Film Music Orchestra) working as a lyricist and singer. She collaborated (as a singer-songwriter) with composer Lindsay Cooper on the song cycle OH MOSCOW which was performed throughout Europe, Russia and North America. Her music work continued later when she co-composed with David Motion the soundtrack to ORLANDO, and produced the score for THE TANGO LESSON. Her most… read more

Wall

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kpoireault

28Feb12

I'm really bored of feminism in general, and yet I love this film. I don't know why, I just find it very enjoyable.

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Barbara Giambartolomei

2Jan12

Il libro che vorrei aver scritto, il film che vorrei aver girato...

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Isaaa

14Dec11

I love this movie. The light Sally Potter uses is beautiful. Besides it suits the film and Orlando's nature so well....

S. B.

29Sep11

S - Then you know as good as I how good it is to travel, like a free-spirit, unfeathered by position or possession. O - Unfeathered... Are you an adventurer by profession? S - My profession, you can call it that, is the pursuit of liberty, like the bright shade of some imortal dream which walks when temper sleeps. O - The wave of life stalks dreams.

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Fans

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Articles

Our roundup of essays and articles on this film.
W184

Daily Briefing. Joe Swanberg's "Marriage Material," Online and Free

By David Hudson on January 16, 2012

Also: ATG #89. LAT previews 2012. Tilda Swinton on Virginia Woolf and more.

read article
W184

"Life During Wartime," "Farewell," "Salt," More

By David Hudson on July 23, 2010

"Daring the discomfited viewer to laugh at shame and suffering, and then wonder why we're laughing, Todd Solondz is back," announces J Hoberman

read article
W184

Sally Potter, Gustav Mahler, More

By David Hudson on July 7, 2010

Sally Potter's Orlando (1992), digitally restored in high definition, is being re-released this summer and sees its premiere today as part

read article
W184

Movie Poster of the Week: "I Am Love" and the Curious Case of Tilda Swinton

By Adrian Curry on February 26, 2010

What I love about this new poster for Luca Guadagnino’s I Am Love (Io sono l'amore) is not just its gorgeous typography, but also how it celebrates

read article
W184

The Auteurs Daily: Venice and Toronto. I Am Love

By David Hudson on September 10, 2009

  "In every sense, I Am Love is a stunning achievement," declares Jay Weissberg in Variety (where Nick Vivarelli reports on the press

read article

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Reviews

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Orlando

By Meredit​h Taylor on December 17, 2009

Sally Potter’s inventive, vibrant and visually sumptuous adaptation of Virginia Woolf’s 1928 novel is the ideal vehicle for Tilda’s exquisite versitility as metrosexual maverick poet Orlando. If you…  read review

Orlando

By Jye Sherwel​l on December 11, 2009

I rented this film because of Tilda Swinton’s involvement. Well fortunately, I ended up getting one hell of a great film as well.

Sally Potter and her cast and crew captured me with this wonderful…  read review

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