John and Mary sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community – a socialist mini-society based upon the teachings of Edward Gallafent. The newborn community suffers many hardships – drought, vicious raccoons and the long arm of the law – but ultimately pull together to reach a bread-based Utopia. —IMDb
King Wallis Vidor (February 8, 1894 – November 1, 1982) was an acclaimed American film director whose career spanned nearly seven decades.
He was born in Galveston, Texas, where he survived the great Galveston Hurricane of 1900. His grandfather, Charles Vidor, was a refugee of the Hungarian Revolution of 1848 who settled in Galveston in the early 1850s.
A freelance newsreel cameraman and cinema projectionist, he made his debut as a director in 1913 with Hurricane in Galveston. In Hollywood from 1915, he worked on a variety of film-related jobs before directing a feature film, The Turn in the Road, in 1919. A successful mounting of Peg o’ My Heart in 1922 got him a long term contract with Goldwyn Studios, later to be absorbed into MGM. Three years later he made The Big Parade, among the most acclaimed war films of the silent era, and a tremendous commercial success. This success established him as one of MGM’s top studio directors for the next decade. In 1928, Vidor received… read more
possibly the most socialist film ever to come from hollywood, vidor had to finance this sequel to 'the crowd' himself, with assistance from his friend charlie chaplin. stick around for the final sequence, one of the finest vidor ever filmed. interesting that, ten years later, he became a founding member of the 'motion picture alliance for the preservation of american ideals' which supplied the vast majority of friendly witnesses to the house un-american activities committee.