Jeff Bailey, small-town gas pumper, has his mysterious past catch up with him one day when he’s ordered to meet with gambler Whit Sterling. En route to the meeting, he tells girlfriend Ann his story. Flashback: Once, Jeff was a private eye hired by Sterling to find his mistress Kathie who shot Whit and absconded with $40,000. He traces her to Acapulco…where the delectable Kathie makes Jeff forget all about Sterling… Back in the present, Whit’s new job for Jeff is clearly a trap, but Jeff’s precautions only leave him more tightly enmeshed. —IMDb
The first director Val Lewton hired for his RKO unit was Jacques Tourneur, and the first picture made by that unit was Cat People, an original screenplay by DeWitt Bodeen.
When Tourneur’s father, Maurice, returned to Paris after a number of years in America, Jacques had gone with him, working as assistant director and editor for his father. In 1933, he made a few directorial solos in the French language and then returned to Hollywood, where he became an assistant director at MGM. It was at this time that he first met Val Lewton, and the two young men worked as special unit directors for Jack Conway on A Tale of Two Cities ; it was Lewton and Tourneur who staged the storming of the Bastille sequence for that film.
Tourneur remained at MGM, directing over 20 short subjects, and Lewton eventually went on to become David O. Selznick’s story editor. When Lewton left Selznick to head his own production unit at RKO, he had already made up his mind that Tourneur would direct his… read more
“Fact was that the high price actors there were back up on the studio, like Cary Grant and so on, they got all the lights.. so [Out of the Past] was lit with cigarettes.” - Robert Mitchum
Rich B&W cinematography and maybe the most well written noir dialogue. Robert Mitchum shows, as always, he's one of the coolest son of a guns. So many instant replay quotes: "Well, let's go down to the bar. You can cool off while we try to impress each other." "Nothing in the world is any good unless you can share it." "I never found out much listening to myself." "Build my gallows high, baby."
Compton Bennett burst upon the British filmmaking scene in 1945 with The Seventh Veil, a weird, sado-masochistically-inflected semi-gothic
I'm always fascinated by the closing shot of Jacques Tourneur's Berlin Express, a mostly indifferent post-war thriller climaxing in the ruins
Jacques Tourneur’s Out of the Past is one of the most highly regarded products of classical film noir, a stylistic/thematic movement generally agreed to have spanned from 1941-58. Furthermore… read review
“Out of the Past” is, quite simply, the quintessential noir. This is the film I would hold up as an answer to the question “what is film noir?”
Everything that defines the classic film noir… read review
“But I didn’t take anything. I didn’t, Jeff. Don’t you believe me?”
“Baby, I don’t care.”
That exchange in my opinion sums up what film noir is all about. The protagonist of a film noir… read review
Mesmerizing build up of romance and tension by the snappy and captivating pen of Daniel Mainwaring (as Geoffrey Homes) and Jacques Tourneur’s keen eye. They draw a vigorous and pulsating tale of a… read review