The film bears witness to German artist Anselm Kiefer’s alchemical creative processes and renders as a film journey the personal universe he has built at his hill studio estate in the South of France. In 1993 Kiefer left Buchan, Germany for La Ribotte, a derelict silk factory near Barjac. From 2000 he began constructing a series of elaborate installations there, comprising 48 buildings, a labyrinth of tunnels, bridges, lakes and towers. Traversing this landscape, the film immerses the audience in the total world and creative process of one of today’s most significant artists. Shot in cinemascope, the film constructs visual set pieces alongside observational footage to capture both the dramatic resonance of Kiefer’s art and the intimate process of creation. This polarity – in terms of scale, sensibility and time – animates the film, creating a multi-layered narrative through which to navigate the complex spaces of La Ribotte. Here creation and destruction are interdependent; the film enters into direct contact with the raw materials Kiefer employs to build his paintings and sculptures – lead, concrete, ash, acid, earth, glass and gold…
The TV arts doc is so grimly formulaic, trapped by the trend for biography, celebrity commentators and remits for accessibility, this contemplative documentary is a revelation. We are given the opportunity to experience the artwork up close and as sensually as the medium allows with little distraction. Entertained not by narrative but by art. The filmmaker cunningly turns the production of the art into art itself.
Strange, modernist artist Anselm Kiefer gets a strange modernist documentary in this abstract appreciation of his work in an abandoned silk factory in Barjac, France. Like something out of a post-apocalyptic landscape, his work rises up like derelict buildings from the ashes. Mostly observational, but also incredibly dry, the film alternates between beautiful tracking shots and aimless moments of languid tedium.
Also: Elaine May interviews Ethan Coen and Woody Allen. Lubitsch in LA. New Alps trailer.
Sophie Fiennes’s documentary on Anselm Kiefer’s work in Barjac is now playing at Film Forum in New York.
The film of the week would have to be Olivier Assayas's Carlos, and the roundup of raves carries on right here. So, too, does the one for Clint
This is it, the big final round. You can browse all the previous lineup entries for this year's Toronto International Film Festival (September
Peter Bradshaw in the Guardian on Over Your Cities Grass Will Grow: "With infinite patience and care, and a sense of how the movie camera