As a successful photographer of world-wide renown, Finn leads a life that is as prominent as it is hectic. He gets by with very little sleep, his cell phone is never still, and the music from his headphones is his most constant companion. But when his life suddenly spins out of control, Finn takes off and leaves everything behind. His journey leads him from Düsseldorf to Palermo. There he finds himself persecuted by a mysterious shooter who’s after him with a vengeance. At the same time a whole new life is beginning for Finn. And a great love… –Cannes Film Festival
Born in Dusseldorf just after the end of World War II, German film director Wim Wenders grew up with an insatiable appetite for American movies. Not all that interested in big-budget products, he, instead, developed a fascination with B-movies, notably melodramas and Westerns. After studying Medicine and Philosophy in his native country, Wenders took up art in Paris (a mecca for viewing American films), and then returned to his homeland to attend Munich’s Academy of Film and Television. Like many of his French movie-fan brethren, Wenders began his career writing film criticism before directing a few short subjects of his own, and, in 1970, he and several other young filmmakers formed a production-distribution firm, Filmverlag Der Autoren. Summer in the City (1970) was Wenders’ first feature film, but it was his 1973 adaptation of Nathaniel Hawthorne’s The Scarlet Letter that first brought him attention outside of Germany. The film included many accomplishments, most notably coaxing… read more
Wenders builds an impressive and quiet film, with beautiful actresses, incredible photography, offering different tones of color on each location, in which death takes effect on its important role in life, offering us the possibility to naturally assimilate it as a pure state of inevitability.