Albert Lewin (1894–1968) was an American film director, producer, and screenwriter.
He was born in Brooklyn, New York on September 23, 1894 and raised in Newark, New Jersey. He earned a Master’s degree at Harvard and taught English at the University of Missouri. During World War I, he served in the military and was afterwards appointed assistant national director of the American Jewish Relief Committee. He later became a drama and film critic for the Jewish Tribune until the early 1920s, when he went to Hollywood to become a reader for Samuel Goldwyn. Later he worked as a script clerk for directors King Vidor and Victor Sjöström before becoming a screenwriter at MGM in 1924.
Lewin was appointed head of the studio’s script department and by the late 20s was Irving Thalberg’s personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM’s most important films of the 1930s. After Thalberg’s death, he joined Paramount as… read more
Hypnotic, beautiful and strange. I don't know if I've ever seen the color blue used so startlingly and pervasive in Technicolor. Not perfect, but this fever dream of a movie benefits from its flaws, making everything seem like it's in a strange and unsettling trance. Some truly unforgettable imagery.
A finely crafted, fantasy-tinged romantic drama headlined by the star presence of Eva Gardner and James Mason, as well as the simply stunning Technicolor cinematography by the legendary Jack Cardiff. Really a kind of strange film for its era, with its unique combination of myth and melodrama, and undoubtedly a classic.
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"A habitual crank with a pronounced antisocial streak and an aversion to mainstream culture, the director Terry Zwigoff has one of the most