Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment. When Elise, his sister with three kids and no husband, moves in to his place to care for him, Pierre does not change his new habits. And instead of dancing himself, it is Paris and the Parisians who dance before his eyes. –IMDb
Cédric Klapisch is one of today’s most popular French Director and his movies have regularly hit the French box office. Born in 1961, he worked on his first short films in the United States from 1983 to 1985. He started out as a DOP to finally become a film director. In 1989, his short film Ce qui me meut wins several prizes, one being the Perspectives of French Cinema Prize at the Cannes International Film Festival. He then directs his first feature in 1992, Little Nothings, which was nominated for the Cesars. His second, Good Old Daze, wins the 1993 Golden FIPA and Grand Prize at the 1994 Chamrousse Humour Film Festival.
In 1996, When the Cat’s Away is released, followed by Family Resemblances, his fourth feature which is awarded numerous prizes including three Cesars and the 1997 Lumière for Best Screenplay and Best Director. Maybe, starring Romain Duris and Jean-Paul Belmondo, is released in French cinemas in 1999. In 2002, Klapisch comes back to social comedy with The Spanish… read more
Un bel film, fatto e recitato bene...ma non so se fosse stato girato in un'altra città se sarebbe stato ugualmente discreto.
Before turning to this week's theatrical releases, I want to mention that if you haven't taken a look at the new Film Issue from Vice, you
I missed the first 15 minutes of the film because I was late to the theaters, unfortunately. But I seriously adored this film! I’m a huge fan of Romain Duris and Juliette Binoche as well as Cedric… read review
It’s a solid film. As with all films like this, not all the plotlines are exactly created equal. For instance, while Pierre’s plotline was genuinely engaging and Roland’s alternately funny and sad… read review