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Synopsis

Bernardo Bertolucci was only 28, with two features already behind him, when he birthed this high-spirited, subversive 1968 cherry bomb, which adapts Dostoyevsky’s The Double to student-revolution-era Italy, where the wiry, vampiric Pierre Clémenti plays a romantic and causeless rebel whose radical consciousness is awakened once his doppelg appears to incite chaos and spur him on. Or something: Partner is not only an energetic thumb-nosing fossil of ‘60s fragmentation, cinematic upset, and sub-Marxist yowlings, but a double as well, oedipally haunted by the pathfinding precedents of Godard (primary among Bertolucci’s anxious influences were La chinoise and Two or Three Things I Know About Her) and of France itself. (In one of the DVD’s multiple interviews, it’s reported that Clémenti would fly to Paris on the weekends and bring Bertolucci back the latest in protest slogans.) Presaging both Fight Club and Kurosawa’s Doppelgänger, and girded with an Ennio Morricone score as deliberately disjunctive as the narrative, Partner clearly hip-links Freud and Marx, and might be the first conscientiously Lacanian movie. –Michael Atkinson, The Village Voice

Director

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Bernardo Bertolucci

Known both for sweeping epics and for helping to bring eroticism into general release with Last Tango in Paris, Bernardo Bertolucci is one of the pre-eminent international directors of the latter half of the twentieth century. The son of poet, film critic, and anthologist Attilio Bertolucci, he was born on March 16, 1940 in Parma. Surrounded by an atmosphere of comfort and intellectualism, Bertolucci began making 16 mm films as a teenager. In addition to making two short films about children, he also gained a certain amount of respect as a writer, winning the Premio Viareggio (one of Italy’s top literary awards) for his first book, In Search of Mystery. Going on to study at the University of Rome, Bertolucci started his film career as an assistant director to Pier Paolo Pasolini. After working on Pasolini’s Accatone, he left the University in 1961 and embarked on his own independent film study.

Bertolucci made his directing debut the following year with La Commare Secca (The… read more

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Sudarshan R.

9Jul10

Bertolucci's first in colour and really underrated. Pierre Clementi's performance is unforgettable.

OSMOND and 2 others like this

sabrinask, ConallVision

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Bertolucci in London

By David Hudson on April 7, 2011

BFI Southbank's Bernardo Bertolucci season opens this evening with Before the Revolution (1964), features an onstage conversation with the

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Bernardo Bertolucci's Partner Review

By Twitchfilm.com on May 17, 2011
NoShame Films are interrupting their stream of Italian genre film releases with a pair of serious art house titles. Here’s Andrew Howitt with his thoughts on Bernardo Bertolucci’s Partner. -—————————————————
read on Twitchfilm.com

Bernardo Bertolucci's Partner Review

By Twitchfilm.net on July 16, 2010
NoShame Films are interrupting their stream of Italian genre film releases with a pair of serious art house titles. Here’s Andrew Howitt with his thoughts on Bernardo Bertolucci’s Partner. -—————————————————
read on Twitchfilm.net

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