The first in Oliveira’s celebrated “Tetrology of Thwarted Love,” The Past and the Present offers both a dark vision of amour fou and an excoriating satire of the idle rich. Driven by a necrophilic passion for her dead husband, Vanda performs strange rituals of devotion and tortures her second husband for his inadequacies. The revelation of strange secrets about her first husband unfolds a dizzying game of shifting identities and loyalties. Oliveira’s wickedly funny and disturbing satire of Portuguese class structure and the corruption of public mores was, ironically, his first film to receive state funding. —Harvard Film Archive
Manoel Cândido Pinto de Oliveira, GCSE (Portuguese pronunciation: [mɐnuˈɛɫ doliˈvɐjɾɐ]; born December 11, 1908) is a Portuguese film director born in Cedofeita, Porto. He is currently the oldest active film director in the world.
Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists.
Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo’s acting school at age 20, but later changed his mind when he saw Walther Ruttmann’s documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titled Douro, Faina Fluvial (1931).
He also has the distinction of having acted in the second Portuguese sound film, A Canção de Lisboa (1933).
His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto’s street children… read more
Que lindo. O 3º e definitivo arranque de Oliveira. Ainda bem que um monte de gente se associou ao filme para ajudar a completar aquele que seria 'o último filme de Manoel de Oliveira'. Foi o meu último dele. Que chuvada de cinema, a lembrar a burguesia de Buñuel. O verdadeiro amor frustrado. Esta tetralogia é capaz de ser das maiores obras-primas alguma vez feitas a nível artístico. Preparado para O Gebo e a Sombra.