A quartet from the city spends a summer in a village. A family rents out an attic room to them and the children are drawn to the musicians. Iosseliani tells this story without lifting the pretense of the narration, multiplies it and brings in all kinds of new beginnings of other stories. “A film of dreamily beautiful black & white faces and the sounds of folk instruments, with animal sounds instead of dialogue, and patient, almost silent sequences of characters going after their daily chores rather than any driving plot-line.” (Ilya Grigorev) —Arsenal
A major director of the Soviet sixties who continues to make internationally acclaimed films. A child musician and music student, Iosseliani switched to mathemetics at Moscow State University, then attended VGIK, studied directing under Dovzhenko, and graduated in 1961. His first major film, April, resulted in his being denied work for two years, during which worked as both a sailor and day laborer. He returned to direct films such as Falling Leaves, which takes a documentary approach to depicting Georgian life. His films took subtle, elliptical paths to critiquing the Soviet Union until he emigrated to France in the early 1980s, at which time his pictures -often still set in the Soviet territories- became marginally more explicit. But his movies are much too concerned with universality, the mysteries of human existense and the beauty of nature, to be overtly political. Though still residing in France, since the fall of the Soviet Union Iosseliani has worked more closely… read more
