Leningrad Studio of Documentary Films offered Sokurov the order for a film about Leningrad Figure Skating School in the period when he had no work. The result of his work on this film in no ways could be considered apotheosis of sport and sport victories. His undivided attention to the skaters’ training, their daily routine, their hard, exhausting work, their injuries and failures alongside the poetry of overcoming their own bodies in order to express the will of their hearts made his film a real work of art which did not satisfy those who had made the order.
Therefore, intending not to bring the studio into trouble, Sokurov in a short period of time arranged the rest of the material into some sort of publicity film, and this film was presented to the “client” (director’s name withdrawn from the titles). Original film was shown to the audience only in the years of Perestroika. —Sokurov.spb.ru
Alexander Nikolayevich Sokurov (Russian: Алекса́ндр Никола́евич Соку́ров) (b. June 14, 1951, Podorwikha, Irkutsk Oblast) is a Russian filmmaker from St Petersburg who has been hailed as successor to renowned director Andrei Tarkovsky.
Sokurov was born in Siberia in the officer’s family on June 14, 1951. He graduated from the History Department of the Nizhny Novgorod University in 1974 and entered one of the VGIK studios the following year. There he made friends with Tarkovsky and was deeply influenced by his Mirror.
Most of Sokurov’s early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including an interview with Aleksandr Solzhenitsyn and a reportage about Grigori Kozintsev’s flat in St Petersburg.
Mother and Son (1996) was his first internationally acclaimed feature film. It was mirrored by Father and Son (2003) which baffled the critics with its implicit homoeroticism (though Sokurov himself has criticized… read more