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Film Still

Patriotism

Yûkoku

Japan

1966

27 Min
Black and White
1.33:1
Japanese
  • Currently 4.1/5 Stars.
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DIR Yukio Mishima, Domoto Masaki

SCR Yukio Mishima

CAST Yukio Mishima, Yoshiko Tsuruoka

Synopsis

Playwright and novelist Yukio Mishima foreshadowed his own violent suicide with this ravishing short feature, his only foray into filmmaking, yet made with the expressiveness and confidence of a true cinema artist. All prints of Patriotism (Yûkoku), which depicts the seppuku of a army officer, were destroyed after Mishima’s death in 1970, though the negative was saved, and the film resurfaced thirty-five years later. New viewers will be stunned at the depth and clarity of Mishima’s vision, as well as his graphic depictions of sex and death. The film is presented here with a choice of Japanese or English intertitles.

Director

Original

Yukio Mishima

Yukio Mishima was born in Tokyo in 1925. He attended the University of Tokyo. His first work of fiction, a short story, was published when he was a first-year student. For the rest of his life he wrote – to enormous popular and critical acclaim – plays, poetry, essays, and novels. His first full-length novel, the autobiographical “Confessions of a Mask,” is considered a classic of modern Japanese fiction. In it, a young man grapples with his homosexuality, the intensity of his inner states, the ways he must conceal himself, and the difficulties of not conforming to Japanese society. Mishima, educated in Japan and deeply influenced by European and Russian literature, developed his consuming obsession: a longing for unvanquished, imperial Japan; its samurai traditions, and heroic ideals of beauty, nationalism, and honor, including the traditionally enviable fate of dying for one’s country. Mishima led by example. Along with writing energetically and passionately, he founded an elite right… read more

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TFCHooligan69

2Jan12

Incredibly stunning short film. A foreshadowing of Mishima's own demise.

Sancar Seckiner

27Jul11

Japanese life style is too depressive.

Picture of Zachary George Najarian-Najafi

Zachary George Najarian-Najafi

21Oct10

Visceral, fascinating, and beautiful. Patriotism is my introduction to the world of Mishima, and I can say I will be exploring his body of work further. Incredibly disturbing though, and talk about art imitating life. Mishima took his own life in the exact way depicted in this film four years later.

Picture of VENIMOS LOS JODIMOS Y NOS FUIMOS

VENIMOS LOS JODIMOS Y NOS FUIMOS

2Jul10

Desde sus primeras imagenes, este cortometraje de Yukio Mishima (su unica experiencia como director) se impone como una verdadera chingoneria. Compendio del sentir ideologico del escritor, el film es una especie de anuncio previo al espectacular suicidio de Mishima. Confiscado durante años por su viuda, ahora se puede ver libremente. La versiòn americana (con musica de Aaron Embry) es una experiencia sublime.

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Reviews

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I probably just don't get it

By Sudhang Shankar on February 26, 2010

The cinematography was amazing, and the performance by yoshiko tsuruoka was haunting too, But overall, it was disappointing; it lingered on each scene for minutes, and the whole film seemed to be…  read review

Untitled

By jake barge on November 18, 2009

A flawless display of how film is truly the most universal medium of artistic expression, as well as a medium that is not afraid to push the boundaries of what is deemed acceptable and accessible…  read review

Untitled

By Teddy Cheong on April 25, 2009

For its entire duration, Patriotism is essentially performed on a Noh stage with unbridled intensity and poeticism. Choosing scrolls as title cards, this is shot very much like a silent film. Despite…  read review

Untitled

By asuraf on December 1, 2008

Yukio Mishima presages his own carefully staged suicide by seppuku four years earlier with this stunning silent short, his only film as director, about a young soldier who commits ritual suicide with…  read review

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DVD

Buy the DVD from The Criterion Collection.