Fifteen year old Pauline and her older cousin, model-shaped Marion, go to the emptying Atlantic coast for an autumn holiday. Marion ignores the approaches of a surfer and falls for Henri, a hedonist who is only interested in a sexual adventure and drops her soon. Pauline’s little romance with a young man (Sylvain) is also spoiled by Henri. —IMDb
The most subtle and traditional of the many luminaries launched to prominence as a member of the French New Wave, Eric Rohmer is also among the movement’s most consistent and enduring talents. Basing his work upon antecedents in literature as much as those in the cinema, Rohmer made his name crafting talky, feather-light romantic comedies and chamber dramas distinguished by economical camerawork, a warmly ironic tone, an affection for youth, and a fascination with place and time. His intensely personal private life — according to legend, not even his own mother knew he was an internationally acclaimed, albeit pseudonymously named, filmmaker — has stood in direct contrast to the emotional openness of his movies, which, in intimate and illuminating detail, explore the limitless entanglements, disappointments, and possibilities facing contemporary relationships.
Born Jean-Marie Maurice Scherer on December 1, 1920, in Nancy, France, Rohmer later relocated to Paris, where he worked variously… read more
Sencilla y directa, Rohmer escribe un guión original en su cliclo de comedias y proverbios. El proverbio es "por la boca muere el pez", aquí muestra como mientras mayor y con mayor experiencia, se es menos honesto consigo mismo, construyendo fantasías y creyendo firmemente en ellas. Por el contrario Pauline de 15 es la mas coherente.
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