Pure Fault
1Jul11
He at least admits to liking this film quite a lot ;)
Perfect Blue has been called a clash between De Palma and Argento but I'd be inclined to go further than that. The film's story and thematic elements relating to identity or life as a performance are very evocative of David Lynch's Mulholland Drive, which was released several years later infact. There are so many levels of depth to dissect with this one, it makes for multiple viewings if only for the smaller details.
Pretty much the blueprint for all of Kon's later work. All of his thematic obsessions such as femininity, simulacra, identity, the interplay of reality and fiction, media culture and its "fans", etc, are all already here. Visually wonderful despite the occasionally evident low budget, with some of the best use of color I've seen in an anime. And the grislier parts still make me shudder, more so than most live-action.
Dark rumination on fame and identity and mental illness. Satoshi Kon was a master of surreal and inventive animation.
Uno dei più grandi thriller psicologici di sempre, e matrice di una buona fetta di cinema americano dell'ultimo decennio. Ci manchi, Kon
Thrilling, creepy and frightening. I’ve never been so confused so many times by a film I've thoroughly enjoyed. A favorite.
The ending is a letdown, although it perfectly sums up the entire film. It is almost perfect until it drifts over the final act. Aronofsky should have the balls to admit that his "Black Swan" was in fact inspired from this seminal Japanese animation.
who is Aronofsky fooling by claiming this wasn't an influence on Black Swan (he owns the US rights)? What a dick. This is the better film.