There’s Evelyne who loves Albert, who loves Arthur, who loves the girl who plays the actress, who loves the man driving the convertible. There’s the night which only loves itself and death which only loves once. It would take more breath to kiss everyone and more time not to displease anyone. –Quinzaine des Réalisateurs
Primarily known in the U.S. for his memorable performance in director Bernardo Bertolucci’s controversial 2003 drama The Dreamers, Paris-born actor Louis Garrel made his first onscreen appearance in the 1989 film Les Baisers de Secours (Emergency Kisses). While it was over a decade until Garrel would appear onscreen again, his comeback role in Rodolphe Marconi’s 2001 Ceci Est Mon Corps (This Is My Body) marked the beginning of a spectacular run that would find him working with some of the biggest directors on the international film scene and winning his very first César Award (for the 2005 film Les Amants Réguilers [Regular Lovers]). Shortly after portraying the male half of a cinema-obsessed pair of siblings in Bertolucci’s The Dreamers, Garrel stunned viewers with his performance as a young man who loses his father and subsequently follows his amoral mother on a hedonistic journey of depravity in Christophe Honoré’s adaptation of the notorious Georges Bataille novel Ma Mère. On the… read more
"Well, I'm still fond of you, So, what difference does it make? what difference does it make? it makes none But now you have gone And your prejudice won't keep you warm tonight"
Louis Garrel pays homage to the New Wave tradition and his father's filmmaking with this film skillfully shot.