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Synopsis

Part III comes with a little prologue explaining the events between the end of the first entry and now. Mike (A. Michael Baldwin) is now grown up. He and Reg (Reggie Bannister) are still trying to elude capture by the Tall Man (Angus Scrimm), who may or may not be a monster from outer space. The ghost of Mike’s brother Jody (Bill Thornbury) returns in one of the Tall Man’s flying silver balls and the Tall Man manages to snatch Mike away from Reg. So Reg jumps in his muscle car and hits the road, accompanied by a crafty young boy (Kevin Connors) and a supercool black female martial artist, Rocky (Gloria Lynne Henry), to find him. In a way, it’s a commentary on many of the brain-dead action films of the period. It’s all fairly absurd, but Coscarelli retains his enthusiasm and imagination with a healthy sense of ridiculousness; in one scene the Tall Man’s severed hands turn into skittering beasties and attack our heroes. The director clearly had a bigger budget to work with here, but he does not allow visual effects to cover up his ideas. —Combustible Celluloid

Director

Original

Don Coscarelli

In much the same way that director George A. Romero creative output has been primarily centered around the highly successful “Dead” series of zombie films, then fellow fantasy director Don Coscarelli has for over two decades seen his universe swirling around the lesser successful, but equally cult, and much loved “Phantasm” series of horror movies.

Coscarelli was born in Tripoli in North Africa, but raised around Southern California, and was interested in the cinema from a young age and together with his friends they made several low budget movies that aired on community TV stations to very positive feedback.

After a low key start with his first feature film embracing the trials of a young teenager caught in a world of alcoholic abuse Jim, the World’s Greatest (1976), Coscarelli followed this up with a lighter comedic tale about another youngster and his view of the world as an impressionable 12 year old in Kenny & Company (1976). However, the imaginative Coscarelli… read more

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