Hired by moneylenders, a man lives as a loan shark brutally threatening people for paybacks. This man, without any family therefore with nothing to lose, continues his merciless way of life regardless of all the pain he has caused to a countless number of people. One day, a woman appears in front of him claiming to be his mother. He coldly rejects her at first, but gradually accepts her in his life. He decides to quit his cruel job and to live a decent life. Then suddenly the mother is kidnapped. Assuming that it would be by someone he had hurt in the past, he starts to track down all the people he had harassed. The man finally finds the one, only to discover most horrifi ng dark secrets better left unrevealed.—Venice International Film Festival
One of the most controversial Korean directors, Kim Ki-duk is a self-taught filmmaker who prides himself on his outsider status, openly setting himself apart from contemporaries like Hong Sang-soo and Lee Chang-dong, who he considers too intellectual. Kim’s films have drawn vitriol for their subject matter and praise for their technique, and he has often been compared to his predecessor Kim Ki-young, who was also self-taught and whose films bear a much less brutal, but equally eccentric, personal stamp. Born in a mountainous village, Kim moved with his family to Seoul at the age of nine. During his teenage years he dropped out of school and worked in factories, and at the age of 20, he began a five-year stint in the marines, the toughest and most demanding branch of the Korean military. These early experiences would inspire the gritty milieu and dim view of human relationships that characterize his films. A painter since childhood, Kim went to France in 1990, where he studied art and… read more
The 69th Venice Film Festival announces this year’s awards. Big wins for Kim Ki-Duk, The Master, and more!