I'm not sure how I feel about this one. I liked the ghost story, but the political portions of the film were pretty boring. It has some great moments, but it doesn't reach the level of intensity or artistry that the two other films in the box set do. But for a debut, damn, is this some good stuff.
To me it was very reminiscent of Herk Harvey's 'Carnival of Souls'. Similar juxtapositions of existence and non-existence, enigmatic omniscient presence haunting the protagonists, leading them to their demise. The experimentally thematic use of sound.. ..had the same mesmerizing effect in both films, made worlds apart, in the same year, exploring similar themes in a similar fashion. It's quite amazing.
As many have stated before me -- an amazing first feature. There are moments throughout this film which, intentional or not, will be repeated in the best and most humble way possible for years to come.
http://www.bfi.org.uk/whatson/bfi_southbank/film_programme/august_seasons/shinjuku_diaries_films_from_the_art_theatre_guild_of_ja The film will be screened at BFI Southbank as part of Shinjuku Diaries: Films from the Art Theatre Guild season (1st - 31st Aug) Screening on 2nd introduced by Go Hirasawa
Teshigahara's debut film is an unconventional ghost story/unresolved murder mystery. Stylish, surreal and difficult to describe but I found it riveting...
A visually striking film that also fully engaged me emotionally, with moments of humour small and true. I went to bed thinking about it and got up today still thinking about it and I'm pretty sure it influenced whatever made up my dreams in between. Terrific.
great to see kafkian themes get such a serious treatment, with a well crafted balance between existential and political issues the editing is first class and the soundtrack is probably my favourite Takemitsu work for cinema.
PITFALL was the first Hiroshi Teshigahara film for me. I liked the combination of genres found in it: ghost story, realism and crime story. The musical score is also very inventive especially in the first scene of the movie. Silence, silences and, coming from nowhere, a noise that could be human, animal or metallic. At last, the expression “Hell on Earth” finds here a visual treatment I won’t forget before long. Highly recommended.
My favorite of the bunch. I hope criterion puts out his last two films Rikyu (1989) and Go-hime (1992). He was so inspirational. He made art out of everything.