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Play

Sweden, France, Denmark

2011

124 Min
Color
1.78:1
Swedish
  • Currently 4.1/5 Stars.
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DIR Ruben Östlund

PROD Erik Hemmendorff

SCR Erik Hemmendorff, Ruben Östlund

DP Marius Dybwad Brandrud

CAST Anas Abdirahman, Sebastian Blyckert, Yannick Diakité, Sebastian Hegmar, Abdiaziz Hilowle, Nana Manu, John Ortiz, Kevin Vaz

ED Ruben Östlund, Jacob Schulsinger

PROD DES Pia Aleborg

MUSIC Saunder Jurriaans, Danny Bensi

SOUND Jan Alvemark

Cannes (Quinzaine des Réalisateurs), Karlovy Vary (Another View), Melbourne (TeleScope), Toronto (Visions), New York, Vancouver (Cinema of Our Time), Helsinki (Spotlight), London (Cinema Europa), Chicago (World Cinema), Stockholm (Competition), AFI FEST (World Cinema), Rotterdam (Spectrum), BAFICI (Cine del futuro)

Synopsis

In central Gothenburg, Sweden, a group of black boys, aged 12-14, robbed other children on about 70 occasions between 2006 – 2008. The thieves used an elaborate scheme called the ‘brother trick’, involving advanced role-play and gang rhetoric. They did not have to resort to physical violence or threats.

In a shopping mall in downtown Gothenburg, five young boys accost another group of three young boys to ask them for the time. When one of them pulls out his cell phone to look at the time, he is accused of having stolen the phone from the first boy’s “little brother”, which he categorically denies. The five boys then suggest that these other boys accompany them a short distance away to show the phone to its supposed rightful owner, said little brother, to clear things up.

Play is an astute and humorous observation, based on real cases of bullying, that deliberately plays with preconceptions, and our expectations that it’s all going to end badly. –Quinzaine des Réalisateurs

Director

Original

Ruben Östlund

Ruben Östlund was born in 1974 on Styrsö. He went on to study film at the University of Gothenburg. His feature debut The Guitar Mongoloid won the FIPRESCI Award at Moscow in 2005. Involuntary followed in 2008 making its premiere in Cannes’ Official Selection. His third feature film Play, pursues his exploration of group dynamics and their effect on individual behavior. –Quinzaine des Réalisateurs 

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Reevid

16May12

The camera work reminded me a lot of that in the movies of Roy Andersson, and here too it served the purpose well. The static frames made you feel helpless and cowardly, as were all the bystanders in the movie of whom no-one interfered with the portrayed bullies and their victims. Which of course happens all the time in real life. This movies makes you ask questions about yourself, and only truly great movies do that

Simon So

25Mar12

nothing is the best thing

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Natasha Subramaniam

29Nov11

the more I think about this film, the more I love it. Truly brilliant in the most subtle and introspective way...

dipa89 and Adnan X. Khan like this

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Adam Cook

16Sep11

A relentless cycle of oppression instigated by capitalism...Reminiscent of some of the Romanian New Wave. Brilliant use of the cinema frame and wonderful interaction with audience perception!

CJ Roy and Joseph Sylvers like this

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W184

Cannes 2011. Rushes: "Play"

By Daniel Kasman on May 25, 2011

Some quick words on the last film I saw at Cannes, in Directors' Fortnight, and one of the festival's finest: Ruben Östlund's Play

read article

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