In central Gothenburg, Sweden, a group of black boys, aged 12-14, robbed other children on about 70 occasions between 2006 – 2008. The thieves used an elaborate scheme called the ‘brother trick’, involving advanced role-play and gang rhetoric. They did not have to resort to physical violence or threats.
In a shopping mall in downtown Gothenburg, five young boys accost another group of three young boys to ask them for the time. When one of them pulls out his cell phone to look at the time, he is accused of having stolen the phone from the first boy’s “little brother”, which he categorically denies. The five boys then suggest that these other boys accompany them a short distance away to show the phone to its supposed rightful owner, said little brother, to clear things up.
Play is an astute and humorous observation, based on real cases of bullying, that deliberately plays with preconceptions, and our expectations that it’s all going to end badly. –Quinzaine des Réalisateurs
Ruben Östlund was born in 1974 on Styrsö. He went on to study film at the University of Gothenburg. His feature debut The Guitar Mongoloid won the FIPRESCI Award at Moscow in 2005. Involuntary followed in 2008 making its premiere in Cannes’ Official Selection. His third feature film Play, pursues his exploration of group dynamics and their effect on individual behavior. –Quinzaine des Réalisateurs
The camera work reminded me a lot of that in the movies of Roy Andersson, and here too it served the purpose well. The static frames made you feel helpless and cowardly, as were all the bystanders in the movie of whom no-one interfered with the portrayed bullies and their victims. Which of course happens all the time in real life. This movies makes you ask questions about yourself, and only truly great movies do that
the more I think about this film, the more I love it. Truly brilliant in the most subtle and introspective way...
A relentless cycle of oppression instigated by capitalism...Reminiscent of some of the Romanian New Wave. Brilliant use of the cinema frame and wonderful interaction with audience perception!
Some quick words on the last film I saw at Cannes, in Directors' Fortnight, and one of the festival's finest: Ruben Östlund's Play