Playback is presented as a short rehearsal in a double sense. It is a satellite of the constellation of works that Portabella dedicates to the analysis of the “materiality” of aesthetic and cultural languages (Vampir-Cuadecuc and Miró l’Altre among others can also be understood in this manner). At the same time, he analyzes the rehearsals that Carles Santos carries out for the playback recording of a film on the work of Antoni Gaudi. The choir of the Gran Teatro del Liceu of Barcelona reads fragments from Wagner’s Tannhauser, Lohengrin and the Valkyries. The film was shot in the theater “Lluïsos de Gràcia”. —Pereportabella
Since the 1960s, Portabella always maintained a political commitment with all those movements against the Franco dictatorship that supported individual and collective democratic liberties.
In 1977, he was elected Senator in the first democratic elections and he participated in the writing of the present day Spanish Constitution. In 1999, was honoured with the Creu de Sant Jordi, the highest recognition that a person can receive from the institutions of the Generalitat de Catalunya. He has presided over the Fundación Alternativas since 2001.
As a filmmaker Pere Portabella has been a relevant presence in the Spanish film world for the last fifty years. With Films 59, his production company, he fostered some of the most emblematic films in the history of Spanish cinema. Los Golfos by Carlos Saura (1959), El Cochecito by Marco Ferreri (1960) and Viridiana by Luis Buñuel (1961). He directs his own creations combining a heritage of avant-garde culture with breakaway forms of… read more