Poem

Uta

Japan

1972

119 Min

Black and White

1.85:1

Japanese

Currently 4.0/5 Stars.
1
2
3
4
5

|

PROD Kinshirô Kuzui, Akira Tojo

CAST Shin Kishida, Hiroko Sakurai, Saburo Shinoda, Ryo Tamura, Eiko Yanami

SOUND Koichi Hirose, Hideo Okuyama

Synopsis

This is the last film of the ATG trilogy of the director Akio Jissoji, who sought the roots of inner psychology and eroticism. It’s a story of a young man who turns his back on the modern world, seeking to be a protector of a family and heads to his destruction.

Director

Akio Jissoji

Akio Jissoji (実相寺昭雄 Jissōji Akio?) (March 29, 1937, Tokyo – November 29, 2006, Tokyo) was a Japanese TV and film director best known outside of Japan for the 1960s TV series Ultraman and Ultra Seven, as well as for his auteur erotic ATG-produced Buddhist trilogy Mujō (無常)—Mandala (曼陀羅)—Uta (哥).

He was also known for his film adaptations of Japanese horror author, Rampo Edogawa. Jissoji possessed a very distinctive visual style that was notable even in Japanese cinema which is known internationally for its visual style. Every project he directed, from children’s action shows to the most disturbing adult films had an uncompromising approach to cinematic story telling. His episodes of the Ultraman TV shows are unique and quite unusual for children’s television. His career is also unusual in that he went back and forth from children’s television to film projects that were sexually provocative in some way or another. It’s perhaps this aspect of his work that has prevented wider distribution… read more

Akio Jissoji (実相寺昭雄 Jissōji Akio?) (March 29, 1937, Tokyo – November 29, 2006, Tokyo) was a Japanese TV and film director best known outside of Japan for the 1960s TV series Ultraman and Ultra Seven, as well as for his auteur erotic ATG-produced Buddhist trilogy Mujō (無常)—Mandala (曼陀羅)—Uta (哥).

He was also known for his film adaptations of Japanese horror author, Rampo Edogawa. Jissoji possessed a very distinctive visual style that was notable even in Japanese cinema which is known internationally for its visual style. Every project he directed, from children’s action shows to the most disturbing adult films had an uncompromising approach to cinematic story telling. His episodes of the Ultraman TV shows are unique and quite unusual for children’s television. His career is also unusual in that he went back and forth from children’s television to film projects that were sexually provocative in some way or another. It’s perhaps this aspect of his work that has prevented wider distribution of his films. Sado-masochistic and non-consensual sexual practices are featured in many of his film works with women receiving the brunt of the abuse. Another recurring theme was to pull the camera back and reveal the set his actors were working on. Most of his work is not available outside of Japan or with English subtitles.

Other notable films include: Utamaro: Yume to shiriseba (歌麿夢と知りせば, Utamaro’s World, 1977), a visually sumptous telling of the famed Japanese printmaker’s life centering around the years he was forced to make pornographic prints for a living. Teito monogatari (帝都物語, Tokyo: The Last Megalopolis, 1988), a live-action sci-fi/horror film. Rampo jigoku (乱歩地獄, 2005), Jissoji directed the lead segment of this horror anthology. Yume jū-ya (ユメ十夜, Ten Nights of Dreams, 2006), Jissoji contributed a selection in this anthology of short films based on the writings of Natsume Sōseki.

He died of stomach cancer, aged 69, in 2006 just after starting work on a revival of his Silver Mask live action children’s show. —Wikipedia

read less