Point Break is a high-velocity thrill ride in which clean-cut FBI agent Johnny Utah (Keanu Reeves) goes head to head with surfer renegade Bodhi (Patrick Swayze). Rookie Utah is assigned to go undercover to investigate a string of 28 bank robberies by a gang called the Ex-Presidents. With very little to go on—the Ex-Presidents are adept at their trade, deal only in cash, and never leave behind clues—Utah’s only lead comes from his partner Pappas (Gary Busey). Pappas believes that the Ex-Presidents are a surfer gang, lead by charismatic adrenaline junkie Bodhi. Posing as a surfer himself, Utah slowly becomes a member of Bodhi’s gang, enticed by his energy and craziness. As Utah’s investigation goes deeper, with dazzling extreme sports hijinks that involve night surfing, sky diving, and well-executed bank robberies that serve as the glue between his world and Bodhi’s, Utah must ultimately choose between duty and friendship.
Kathryn Ann Bigelow (born November 27, 1951) is an American film director, working in the science fiction, action and horror genres.
Bigelow was born in San Carlos, California, United States, the only child of a paint factory manager and a librarian. She broke into cinema via the art world, starting her creative life as a painter as a fellow at the Whitney Museum in New York. Bigelow entered the graduate film program at Columbia University, where she studied theory and criticism. Her professors included Vito Acconci and Susan Sontag. Bigelow worked with noted conceptualist Lawrence Weiner and worked with the Art & Language collective.
Bigelow’s first short film, The Set-Up (1978), is a 20-minute deconstruction of violence in film. The film portrays “two men (Gary Busey included) fight[ing] each other as the semioticians Sylvère Lotringer and Marshall Blonsky deconstruct the images in voice-over.” Her first full-length feature was The Loveless (1982… read more
Pretty much a perfect terrible film. The best part is Gary Busey's gushing praise for meatball sandwiches; "Utah, gimme two!" So, so awful and yet so wonderful, kind of like meatball sandwiches.
Also: The latest on her upcoming Bin Laden project.
If Resnais made crime thrillers…The grimy smudge in the Alcatraz cell at the onset might be Proust’s “little patch of yellow wall” (The Captive
Back when I was twelve or thirteen I asked my Dad to take my friends and me on a birthday outing to a movie called Crystal Voyager which we
I like to stop this movie after the crazy desert sequence when Mr. Swayze says that this time they both lose and we just get a shot of him riding off in his car and Keanu and Lori reunited. Mr. Busey’s… read review