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Synopsis

A gang of armed drug-addicts break into a chemist shop to try and steal drugs to fuel their habit. However, the police arrive too fast and all addicts but one are killed. She, Maggie, is sentenced to death by lethal injection for killing a police officer, but she wakes up after the execution to find that she has been spared in order to train as a government assassin. After a dramatic transformation, she is allowed to leave and start a new life for herself, on the condition that she always be on call for the government. However, she begins to discover that there is more to life than she previously thought and soon begins to wish she could escape from her obligation. But the government isn’t so easy to evade… —IMDb

Director

Original

John Badham

Born in England, John Badham became a naturalized American citizen at the age of seven. He received a BA and MFA at Yale University, which he attended before and after his military service. He worked his way up the professional ladder at Universal Studios; his first directorial assignments included the trailers (or coming-attraction reels) of the studio’s features. In the early 1970s, Badham gained a good reputation as an able director of made-for-TV movies. It was his handling of the 1974 docudrama The Gun that won Badham his first theatrical-feature assignment, the 1975 baseball flick The Bingo Long Travelling All-Stars and Motor Kings (Badham was a last-minute choice when Steven Spielberg suddenly priced himself out of the film’s budget thanks to Jaws). Badham’s first bona-fide—and indeed, one of the biggest moneymakers of the 1970s—was the disco-driven Saturday Night Fever (1977). The director’s striking visual sense and innate gift for montage has served him well in such nailbiters… read more

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Mugino

24Jul10

Why remake something that ain't broke???

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VENIMOS LOS JODIMOS Y NOS FUIMOS

30May10

Una muestra mas de la "originalidad" de los estudios hollywoodenses, esta (mala) copia al carbon de La Femme Nikita de Besson, obvio, solo se deja ver por Bridget Fonda (sin duda, mas buenona que Anne Parrillaud), pero si no se ve, da lo mismo.

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mercurial

8Apr10

Unfortunately for me, I can never appreciate La Femme Nikita thanks to this film. I watched Point of No Return countless times growing up and committed to memory the soapy dialogue and ridiculous plot. Watching the stark realism of La Femme Nikita just makes me long for the stone faced Bridget Fonda and all the buffoonery of this American remake.

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