Back in a still-divided, seemingly empty Berlin, high-level wheeler dealer Sam Neill returns to a marriage with Isabelle Adjani so suddenly rocky that he offers to go to a hotel. But though she claims not to have been unfaithful, there’s that soulful postcard from another man — and then it begins: the furniture-smashing restaurant argument, the extended binge, the confrontation with deceptively laid-back Heinz Bennent (The Last Metro), the matched kitchen knife cuttings, the meetings in the creepily empty and desolate secret apartment, the blood-spattered murders, the crash into the police car, the sex with the doppelgänger… and then there’s that Thing, courtesy of special effects maestro Carlo Rambaldi. Fantasized from Polish writer/director Zulawski’s own messy divorce, a Bergmanesque marriage duel escalated into the violent, the surreal and the bizarre. Incredibly intense performances from a pre-Jurassic Park Neill and Cannes and César Best Actress-awarded Adjani, highlighted by her three-minute freak-out in a deserted subway corridor.
Andrzej Zulawski was born on the territory of what was then the U.S.S.R. in a Polish family with remarkable traditions in arts and literature. After World War II, his father’s diplomatic career brought the family to France (1945-1949), Czechoslovakia (1949-1952), and finally to Poland. He studied film direction at IDHEC in Paris (1957-1959) and philosophy at both Warsaw University (1961) and Université de Paris (1962-1964).
First, he assisted the famous Polish director Andrzej Wajda during the filming of Samson (1961), Popioly (1966), and the Warsaw episode of L’Amour à Vingt Ans (1962). In 1967, Zulawski directed two short films, Piesn Triumfujacej Milosci and Pavoncello, for Polish TV.
His feature debut, Trzecia Czesc Nocy (1971), as well as those previous films were co-scripted by his father, poet Miroslaw Zulawski. The picture was well received at the Venice Film Festival and awarded as the Best Debut in its homeland, but had only limited release due to Polish censorship… read more
Having been lucky enough for seeing this jaw-dropping film back for its opening on the big screen in 1981, being a fan of the movie and the great music score by Andrzej Korsynzki, I'd like to share something one of the main actors once told me about his own concept of the movie. He said "Possession is about how love can make any of us become monsters" (Sam Neill)
Best psychological horror movie ever conceived, most hiponotizing performances ever achieved and a music score I have just found our is about to, finally, after 31 years of waitring, going to be released on cd. Zulawski, Korsynski, Adjani, Neill, Bennent, Finders-Keepers, you are all thanked for this wonder, the movie, the performances, the cd releaase.
Having finally made it to a big-screen showing of the film (the Siskel in Chicago this past weekend), I can say that I've never felt more exhilarated in a theater in my life.
Exhaustingly beautiful, intense and fearless. The whole movie is 'possessed' by the madness of its lead characters, filled with frantic camera shots, shrieking psychotic actors and bizarre sequences of crying ballerinas, milky subway births and grotesque alien sex (slimy tentacles and all). One of the greatest films ever made, perfect marriage of art, horror, sci-fi, 'trash' and gothic melodrama.
A discussion with director for his first US retrospective.
A solitary, spooky track from a new limited edition release of the full score by Andrzej Korzynski to Żuławski’s insane Possession (1981).
Hysterical Excess: Discovering Andrzej Żuławski is the first complete retrospective in the US.
In our annual poll, we pair our favorite new films of 2011 with older films seen in the same year to create fantastic double features.
“Divisiveness and duplicity are at the heart of Zulawski’s notorious cult film.”
He worked with Bergman, Truffaut, Schlöndorff and Żuławski.
Update: Sight & Sound's "The DVDs of 2010": "24 critics and curators choose their releases — and rediscoveries — of the year." "For
If there is a movie deserving the tag ‘psychological horror’, it is Possession. Here the protagonist’s inner evil takes on a living form of a wiggling slimy creature. She goes on a killing spree to… read review
some spoilers ahead
Andrzej Żuławski’s Possession is both the most perfectly realized example of a horror film that I’ve ever seen (i.e. = most literally horrifying) AND one… read review
Funny, I don’t remember him being so bad in Omen III: The Final Conflict, but having watched John Carpenter’s In the Mouth of Madness and Andrzej Zulawski’s read review
I was a little let down with this one because I had heard so many great things about it. First off, Isabelle gave my new favorite performance by a female. Her acting in this is flawless and she catapulted… read review