The San Francisco Embarcadero Freeway comes to life in this elegy for modernity. The Freeway was deemed a triumph of engineering, a monument for human inventiveness. With the 1989 earthquake, however, the freeway was severely damaged and with it all the industrial-technological promises it held. Premonition shows the situation before the crisis, a deceptive moment of industrial harmony. –Canyon Cinema
Since the 1960s, the American filmmaker, theorist, and avant-garde activist Dominic Angerame has been working in a form that is both documentary and poetic, an aesthetic alliance between realism and fantasy. He employs a variety of techniques, but his films are invariably and primarily concerned with basic problems of rhythm: the nervousness of the montage in almost all Angerame films stands in startling contrast to the gentleness of its effect on the viewer. The double and triple exposures this artist prizes so much brake, as it were, the quick pulse of his cuts and help them to achieve a peculiarly delicate quality.
Dominic Angerame’s works search for unfamiliar views of seemingly familiar things: cities, landscapes, faces, and bodies. The filmmaker’s desire to make everyday images “strange” at the editing table, to learn to see them fresh and to estrange them from our senses, makes his films seem—in all the different social realities they contain—always distanced as well… read more