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Synopsis

Based on the experiences of NYPD narcotics detective Robert Leuci, Lumet’s epic examination of corruption and compromise, set against a teeming portrait of 1970s New York, is one of his most arresting and accomplished pictures. When an idealistic cop (Treat Williams) agrees to tell the Feds about departmental malfeasance, he receives a guarantee that he won’t have to rat on his partners—but as the stresses and dangers of being an informer wear him down, he finds himself turning against those closest to him. —Film Society of Lincoln Center

Director

Original

Sidney Lumet

Sidney Lumet (born June 25, 1924) is an American film director, with over 50 films to his name, including 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982), all of which, except for Serpico (1973), earned him Academy Award nominations for Best Director.

According to The Encyclopedia of Hollywood, Lumet is one of the most prolific directors of the modern era making more than one movie per year on average since his directorial debut in 1957. He is especially noted for his ability to draw major actors to his projects. “Because of his visual economy, strong direction of actors, vigorous storytelling and use of the camera to accent themes,” states Turner Classic Movies. “Lumet produced a body of work that could only be defined as extraordinary.”

One of his steady themes during his career has been the “fragility of justice and the police and their corruption,” according to Thomson’s Biographical Dictionary of Film. He can deliver… read more

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CVH

5Dec11

rated 'Prince of the City' 5 out of 5 stars

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ELGZ

3Oct11

One of Lumet's most underrated films, and one of the most overlooked films of all time. American Gangster has this films written all over it.

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Nelson Núñez

3Sep11

Con un estilo parco, riguroso y seco, Sidney Lumet explora de nuevo el tema de la corrupción policial, dejando al descubierto la complejidad y las contradicciones que atañen al ejercicio de la ley. Su tesis, devastadora donde las haya, sugiere que la justicia necesita apoyarse en prácticas ilegales para poder ser ejecutada. En mi opinión la película se resiente debido a su excesiva duración.

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Bonemachine

23Apr11

This may be Lumet's masterpiece. It is certainly the film of his I find myself revisiting most frequently. It is to SERPICO as CASINO is to GOODFELLAS, in which he revisits similar territory but expands his vision and makes a film that is practically Brechtian. David Bordwell's recent article on Lumet pointed me to the Brechtian reading of the film, I think it is apt.

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Tu hogar: La calle, Tu ley: Un arma, Tu dios: El dinero

By Pierlui​gi Puccini on February 16, 2011

Hay quienes opinan que a veces para hacer cumplir la ley hay que quebrarla, o en su defecto “doblarla” lo suficiente sin que se llegue a tal extremo. Esa opinión no la comparto yo, tal vez debido a…  read review

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